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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Riley Pearce © Cedric Tang
Debut, Features, Interviews, Music, Track-by-TrackJuly 12, 2022<July 12, 2022

Coastal, Winter, & Driving: Riley Pearce’s Breathtaking Debut Album ‘The Water & The Rough’

Bleach - Isaac Dunbar
Artist to Watch, Columns, Music, Today's SongJuly 12, 2022<July 12, 2022

Self-Sabotage & Liberation: Isaac Dunbar Soars Bold and True on Triumphant “Bleach”

Leona Naess © Laura Bailey
Features, Interviews, Music, Track-by-TrackJuly 11, 2022<July 11, 2022

“An honest, bittersweet, collage of all the music I ever loved”: Leona Naess Shares Her Radiant New Album, ‘Brood X’

BIG THANK - King Youngblood
Features, Interviews, Music, Track-by-TrackJuly 11, 2022<July 11, 2022

“Unapologetic, Open, & Deliberate”: King Youngblood Revive ’90s Alt-Rock on Hard-Hitting Debut Album, ‘BIG THANK’

Ashton York © Zachary Sun
Music, PremieresJuly 11, 2022<July 11, 2022

“In that broken place, the universe gave me songs”: Ashton York Premieres His Raw, Vulnerable, & Beautiful New Song, “Awful Time”

ELIS NOA © Dominik Friess
Features, Interviews, Music, Track-by-TrackJuly 8, 2022<July 8, 2022

‘I Was Just About to Leave’: The Unfiltered Intimacy & Vibey Electro-Soul of ELIS NOA’s Sophomore Album

Stay Proud of Me - NoSo
Debut, Features, Interviews, Music, Track-by-TrackJuly 8, 2022<April 24, 2023

‘Stay Proud of Me’: NoSo’s Wondrous, Wistful & Reflective Coming-of-Age Debut Album

James Bay © 2022
Features, Interviews, MusicJuly 8, 2022<March 11, 2023

Lessons of Love: James Bay Shares Why ‘Leap’ Is His Most Vulnerable Album Yet

Abbie Ozard © Charlotte Rudd
Features, Interviews, Music, Reviews, Track-by-TrackJuly 7, 2022<July 7, 2022

Artist-to-Watch: Abbie Ozard Dives into Her ‘Water Based Lullabies’ EP, a Captivating & Charismatic Fever Dream

Ogi © Kanya Iwana
Debut, Features, Interviews, MusicJuly 7, 2022<July 7, 2022

Interview: Ogi Debuts Her Stunningly Soulful, Colorful & Expansive ‘Monologues’ EP

Doll Spirit Vessel © Doll Spirit Vessel
MusicJuly 7, 2022<July 7, 2022

Premiere: Doll Spirit Vessel’s Relaxing, Dreamy Sophomore Single “Something Small”

PRONOUN © 2021
Features, Interviews, Music, Track-by-TrackJuly 7, 2022<July 9, 2022

“The sound of depression trying to have a good time”: Pronoun’s Emotionally Charged ‘OMG I MADE IT’ EP

Atwood Magazine's Editor's Picks 70
MusicJuly 6, 2022<September 29, 2022

Editor’s Picks 70: Ash Grunwald, Sydney Sprague, Plastic Picnic, Louien, Motel Radio, & Georgie!

The Burma @ Ciara O'Toole
Music, Music Videos, PremieresJuly 6, 2022<July 6, 2022

Premiere: Irish Indie Rock Trio The Burma Uplift & Enchant with Spirited Anthem “Sleepers”

RY X © Clifford Usher
Features, Interviews, Music, Track-by-TrackJuly 1, 2022<July 1, 2022

‘Blood Moon’: RY X Dwells in Raw Depths on His Honest, Expansive, & Hauntingly Beautiful Third Album

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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