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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Noah Reid © Eric Hobbs
Features, Interviews, MusicJune 30, 2022<September 29, 2022

‘Adjustments’: Noah Reid Opens Up About His Intimate, Epic, & Stirring Third Album

Éclo © Akvilė Bukauskaite
Debut, Music, PremieresJune 30, 2022<June 30, 2022

“Pine, Glimmer, Butterscotch”: Éclo (Hibou’s Peter Michel) Hatches with Wondrous Indie Folk on Self-Titled Debut

Atwood Magazine's Editors Picks 69
Columns, Editor's Picks, Features, MusicJune 29, 2022<September 29, 2022

Editor’s Picks 69: James Bay, Ashe, Djo, Lissy Taylor, Braxton Cook, & MYTBE!

The Rare Occasions © Alex Justice
Music, PremieresJune 29, 2022<August 29, 2024

Premiere: The Rare Occasions Surf Stormy Waves on Spirited New Single “Seasick”

KEZRA © Corey Adams
Music, Music Videos, PremieresJune 28, 2022<June 28, 2022

Premiere: Dwelling in the Dark, Distorted Depths of KEZRA’s “Back Home”

Honeyglaze © Holly Whitaker
Debut, Features, Interviews, Music, Track-by-TrackJune 27, 2022<June 27, 2022

“A Spiraling Breakfast”: Inside Honeyglaze’s Raw, Honest, & Vulnerable Self-Titled Debut Album

Chinwe © Jess Mogli
Music, PremieresJune 27, 2022<March 15, 2024

Embracing “Something Beautiful”: East London’s Chinwe Premieres Her Sweet, Summery Seduction

WANT - Johnny Hunter 10
Debut, Features, Interviews, Music, Track-by-TrackJune 24, 2022<July 2, 2022

“Welcome to your existence”: Johnny Hunter Triumph with Debut ‘WANT’, a Cinematic Post-Punk Masterpiece

OSKA © Hanna Fasching
Features, Interviews, Music, Track-by-TrackJune 24, 2022<June 28, 2022

“My world, My love, Paris”: Vienna’s OSKA Shines on Her Beautifully Warm & Wondrous Debut Album

Spacey Jane © Sam Hendel
Features, Interviews, Music, Track-by-TrackJune 24, 2022<August 14, 2022

‘Here Comes Everybody’: Inside Spacey Jane’s Spirited, Resilient, & Triumphant Sophomore Album

wilter © 2022
Features, Interviews, Music, Track-by-TrackJune 23, 2022<July 2, 2022

“Melancholic, Eerie, & Soothing”: Inside wilter’s Debut ‘all this leaving’, a Record of Haunting Depression & Mellow Wonder

Meyru © Kevin Condon
Features, Interviews, Music, Track-by-TrackJune 23, 2022<August 13, 2022

“Scattered, Smothered, & Covered”: ‘Slow Up’ with Meyru’s Relentless and Charming Sophomore Album

Atwood Magazine's Editor's Picks 68
Columns, Editor's Picks, Features, MusicJune 22, 2022<September 29, 2022

Editor’s Picks 68: Young the Giant, Daulton Hopkins, Cecilia Castleman, Juliana Madrid, FELIVAND, & altopalo!

Fantastic Cat © Shervin Lainez
Music, Music Videos, PremieresJune 22, 2022<August 12, 2022

Premiere: Fantastic Cat Commandeer the Staten Island Ferry for New Single “The Gig,” a Song of Passion, Dreams, & Unrelenting Ambition

mxmtoon 'rising' © Lissyelle Laricchia
Features, Interviews, MusicJune 22, 2022<June 27, 2022

“I wanted ‘rising’ to feel like a project about loving yourself”: mxmtoon Shines Bright on Her “Fun Existential Crisis” of a Sophomore Album

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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