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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Happy Hour - Morning Midnight
Debut, Features, Interviews, Music, Track-by-TrackOctober 27, 2022<April 5, 2023

“Different Flavors of Sad”: Morning Midnight’s ‘Happy Hour’ Is the Perfect Soundtrack to Sorrow

The Mellons © 2022
Debut, Features, Interviews, Music, Track-by-TrackOctober 26, 2022<October 26, 2022

“Lost in a Moment, Caught in a Dream”: The Mellons Harness ‘Pet Sounds’ & ‘Sgt. Pepper’ on Stunning ’60s-Soaked Debut Album

Certainly So © Jackson Ross
Features, Interviews, Music, Track-by-TrackOctober 26, 2022<October 26, 2022

Dreams of Green: Nashville’s Certainly So Soar on Comforting, Sun-Kissed Sophomore LP

Cuffed Up © Ana Karotkaya
Music, PremieresOctober 26, 2022<October 26, 2022

Premiere: Cuffed Up’s Unapologetic New Post-Punk Song Is a Solid “10 for 10”

Rosemary & Garlic © Gema Perez
Columns, Music, Today's SongOctober 25, 2022<October 26, 2022

Today’s Song: Cherishing Life’s Memories Through Rosemary & Garlic’s Achingly Beautiful “Television”

Workhorse © Jordanne Chant
Debut, Features, Interviews, MusicOctober 24, 2022<October 24, 2022

Interview: Adelaide’s Workhorse Debuts with Lush, Dreamy, & Messy LP ‘No Photographs’

Being Funny in a Foreign Language - The 1975 10
Music, Our Take, ReviewsOctober 24, 2022<October 24, 2022

The 1975’s ‘Being Funny in a Foreign Language’ Is a Softly Stunning Masterpiece

Kuri © Camille Candia
Features, Interviews, Music, Track-by-TrackOctober 21, 2022<June 20, 2024

‘I Love You, You’re Welcome’: Kuri’s Smoldering Sophomore Album Is a Deep Breath of Longing & Healing

"Sun Cancer" video still - Drew Beskin & The Sunshine
Music, Music Videos, PremieresOctober 21, 2022<October 21, 2022

Premiere: Drew Beskin & The Sunshine Shine on Heartwarming Reverie, “Sun Cancer”

zzzahara © Melissa Crumby
Debut, Features, Interviews, Music, Track-by-TrackOctober 21, 2022<October 21, 2022

liminal spaces: zzzahara’s Driving & Dreamy Debut Dwells in a Nostalgia-Laced Indie Rock Haze

The Brazen Youth © 2022
Features, Interviews, Music, Track-by-TrackOctober 20, 2022<October 20, 2022

Refuge and Raw Reckoning: The Brazen Youth’s ‘Eagle, Idaho’ Is a Breathtaking Soundtrack to Tragedy, Grief, & Growth

FVNERAL © Jay Wennington
Debut, Features, Interviews, Music, Track-by-TrackOctober 20, 2022<October 20, 2022

Bathtub Stoner Blues: FVNERAL’s ‘WHEN I GET SOBER’ EP Is an Achingly Vulnerable “Bruce Springsteemo” Debut

Frances Luke Accord © Luke Jackson
Music, PremieresOctober 20, 2022<October 20, 2022

Premiere: Frances Luke Accord Rise with Warm Folk-Fueled Call to Action, “Window”

Tyson Motsenbocker © 2022
Features, Interviews, Music, Track-by-TrackOctober 19, 2022<October 19, 2022

Milk Teeth: Tyson Motsenbocker Reckons with Childhood vs. Adulthood in His Achingly Tender, Beautifully Raw & Dreamy Third LP

"My perspective, it's the best seat in the house!" The Killers' Ronnie Vannucci Jr. © Chris Phelps
Features, Interviews, MusicOctober 19, 2022<October 19, 2022

Interview: The Killers’ Ronnie Vannucci Jr. Talks Springsteen, Pressure Machine, Legacy, Tour, & More

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