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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Orpheus - The Beaches © Becca Hamel
Columns, Music, Today's SongAugust 24, 2022<August 24, 2022

Today’s Song: Toronto’s The Beaches Captivate with a Dreamy, Enchanting & Emotional Ode to “Orpheus”

Blake Brown © Glenn Ross
Music, PremieresAugust 24, 2022<August 24, 2022

Premiere: Searching for Hope with Blake Brown & The American Dust Choir’s “Hold On”

Madeleine Mayi © 2022
Features, Interviews, Music, Track-by-TrackAugust 23, 2022<August 25, 2022

“Bittersweet, Wishful, & Blunt”: Madeleine Mayi Stirs the Soul with Intimate EP, ‘what happens when it hurts’

Mo Lowda & The Humble © Caleb Wilson
Features, Interviews, Music, Track-by-TrackAugust 23, 2022<June 25, 2025

“A musical deep breath”: Mo Lowda & the Humble’s Smoldering ‘Lily Pads / Snowbird’ EP

Elijah Wolf © Elle McLogan
Music, PremieresAugust 22, 2022<August 22, 2022

“Pain and Perspective”: Brooklyn’s Elijah Wolf Premieres Emotionally Charged New Single, “Holding This In”

Sean Marshall © 2022
Music, PremieresAugust 16, 2022<August 16, 2022

Premiere: The Charm, Charge, & Churn of Sean Marshall’s “Glucose”

Plastic Picnic © Bronson Snelling
Debut, Features, Interviews, Music, Track-by-TrackAugust 16, 2022<August 16, 2022

“Sunsets, Pain, Relinquish”: Brooklyn’s Plastic Picnic Uplift & Inspire on Debut LP ‘As Long As You Need’

Imaad Wasif © Sharon Lockhart, Alex Slade
Features, Interviews, Music, Track-by-TrackAugust 15, 2022<August 15, 2022

“I want to create magic”: Imaad Wasif Unveils His Intimate, Soothing & Regenerative Album, ‘So Long Mr. Fear’

In My Car - Rat Tally
Debut, Features, Interviews, Music, Track-by-TrackAugust 15, 2022<September 29, 2022

“Anxiety, Nostalgia, & Failure”: Rat Tally Digs Through Trauma & Soars on Debut Album, ‘In My Car’

Fantastic Cat © Shervin Lainez
Artist to Watch, Debut, Features, Interviews, Music, Track-by-TrackAugust 12, 2022<January 30, 2025

Folk Rock Supergroup Fantastic Cat Soar on Fun, Loose, & Honest Debut Album, ‘The Very Best of Fantastic Cat’

McCall © Ren Shelborne
Artist to Watch, Debut, Features, Interviews, Music, Track-by-TrackAugust 10, 2022<August 10, 2022

Lush, Gritty, & Confessional: McCall Captivates on Charged & Churning Debut Album, ‘…to be a dream…’

Heavy Gus © Lauren Jacobson
Debut, Features, Music, Track-by-TrackAugust 5, 2022<March 2, 2025

“Hodge-Podge Desert Collage”: Heavy Gus’ Sunny, Dusky, & Dusty Debut Album ‘Notions’

Arlie's Nathaniel Banks © Gabe Drechsler
Debut, Features, Interviews, Music, Track-by-TrackAugust 3, 2022<August 4, 2022

BREAK(ING) THE CURSE: Arlie’s Dreamy, Dramatic, Dynamic & Vulnerable Debut Album

Harrison Whitford "Secret Garden" still © Michael Erik Nikolla
Music, Music Videos, PremieresAugust 3, 2022<August 3, 2022

Video Premiere: The Tender Turbulence of Harrison Whitford’s “Secret Garden”

Analog Party © Joshua Kern (left to right: Charles Horin, Animaan Pathak)
Music, PremieresAugust 3, 2022<August 3, 2022

Premiere: LA’s Analog Party Dwell in Visceral Grunge Depths on Dark, Dynamic Single “Riptide” ft. Final Child

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