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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Mountains Like Wax © Jake White
Music, PremieresNovember 16, 2021<November 16, 2021

Premiere: On “Yes, I Grew Tired,” Nashville’s Mountains Like Wax Rise Through a Radiant Haze

Squirrel Flower © 2021
Interviews, MusicNovember 15, 2021<November 15, 2021

Interview: Squirrel Flower Brings Her “Red Storm Cloud” to Life on Stirring Sophomore Album ‘Planet (i)’

zzzahara © Jade DeRose
Interviews, Music, PremieresNovember 15, 2021<November 15, 2021

Interview: zzzahara’s Feverish Single “they don’t know” Debuts with Frenetic Energy & Visceral Emotion

Honest Men © Sam Leviton
Features, Music, Reviews, Track-by-TrackNovember 12, 2021<November 15, 2021

Track-by-Track: Austin’s Honest Men Soar on Their Vibrant, “Warm & Intentional” Sophomore LP ‘Field of Vision’

Katelyn Tarver © Ethan Tulley
Debut, Features, Music, Reviews, Track-by-TrackNovember 12, 2021<January 18, 2024

“Sour for Millennials”: Katelyn Tarver Dives Inside Her Brutally Honest Debut Album, ‘Subject to Change’

Cedric Noel © Kristina Pedersen
Columns, Music, Today's SongNovember 12, 2021<November 12, 2021

Today’s Song: Cedric Noel’s Gentle, Intimate, & Vulnerable “Bass Song” (ft. Squirrel Flower)

Greer © Zamar Velez
Features, Music, Reviews, Track-by-TrackNovember 11, 2021<November 11, 2021

“Angsty, Boisterous, & Cathartic”: Greer Dive Inside Their Sweet, Spirited ‘Happy People’ EP

Echo Hotel © Milly Blythe
Columns, Music, Today's SongNovember 11, 2021<November 11, 2021

Today’s Song: London’s Echo Hotel Release a Warm Wash of Beautiful Sadness in “Hives”

Mega Ran © Chas Wright
Features, Music, Reviews, Track-by-TrackNovember 10, 2021<January 20, 2025

“Long. Range. Bomb.”: Mega Ran Shoots and Scores on Basketball-Inspired ‘Live ’95’

Until It Stops - Pom Pom Squad
Columns, Music, Today's SongNovember 10, 2021<November 10, 2021

Today’s Song: Dancing & Death Embrace in Pom Pom Squad’s Intoxicating Singalong “Until It Stops”

Hovvdy © Pooneh Ghana
Features, Interviews, MusicNovember 9, 2021<February 7, 2022

“An Emotional Guidebook”: Hovvdy Dwell in the Depths of ‘True Love’ on Intimate & Vulnerable 4th Album

The Jaws of Brooklyn © Abraham Rowe
Music, PremieresNovember 9, 2021<November 9, 2021

Premiere: The Jaws of Brooklyn Unleash Their “Fever” with Hot Soul & Heated Passion

Worthitpurchase © Marlon Mara LeNoble
Columns, Music, Today's SongNovember 9, 2021<November 9, 2021

Today’s Song: Worthitpurchase Weave Dreamy, Delicate Wonders on “Inbetween”

Saint Joshua © Alexandre Beer
Columns, Music, Today's SongNovember 8, 2021<November 9, 2021

Today’s Song: Saint Joshua Continues to Burn Bright in Soulful & Searing “Fake Friends”

AHI © Caitlin Cronenberg
Features, Music, Reviews, Track-by-TrackNovember 5, 2021<February 7, 2022

“Reassuring, Honest, & Powerful”: AHI Goes Track-by-Track Through ‘Prospect,’ a Work of Human Depth & Spiritual Wonder

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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