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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

ZOO © Devyn Glista
Music, PremieresAugust 18, 2021<August 18, 2021

Premiere: Cincinnati’s ZOO Explores Our Irreconcilable Divisions in “Sleeping Dogs”

The Steoples © Roman Koval
Interviews, Music, ReviewsAugust 17, 2021<August 18, 2021

“It’s those fleeting moments of transcendence”: Inside The Steoples’ Smoldering & Soulful LP ‘Wide Through The Eyes Of No One’

Hopefully Limitless by Ah-Mer-Ah-SuHopefully Limitless by Ah-Mer-Ah-Su
Features, Music, Reviews, Track-by-TrackAugust 17, 2021<August 19, 2021

“Crazy, Sexy, & Cool”: Ah-Mer-Ah-Su Shines on Radiant & Revelrous EP ‘Hopefully Limitless’

Twilight Driving ©️ Sam Shaw
Music, ReviewsAugust 17, 2021<August 17, 2021

Review: Twilight Driving Dwell on Life & Time in Radiant Anthem “Red Room”

BUKVE © 2021
Columns, Music, Today's SongAugust 16, 2021<August 16, 2021

Today’s Song: BUKVE’s “Let me go Son” (ft. Firewoodisland) Is an Ethereal & Chilling Debut Single

Bendigo Fletcher © Richie Wireman
Debut, Features, Music, Reviews, Track-by-TrackAugust 13, 2021<August 13, 2021

“Attention. Deficit. Disorder.”: Bendigo Fletcher Enjoy ‘Fits of Laughter’ on Dazzling Debut Album

M.A.G.S.
Features, Music, Reviews, Track-by-TrackAugust 13, 2021<August 13, 2021

“A F*cking Classic”: M.A.G.S. Dives into His Fearless & Unapologetic Sophomore Album ‘Say Things That Matter’

Luke Hemmings © Davis Bates
Debut, Features, Interviews, MusicAugust 13, 2021<October 5, 2021

“Quite a drama”: 5SOS’s Luke Hemmings Shines on Intimate & Breathtaking Solo Album ‘When Facing the Things We Turn Away From’

Arlie © 2021
Music, ReviewsAugust 12, 2021<August 12, 2021

Review: Arlie’s “poppin” New Single Is a Buoyant & Poignant Embrace of Vulnerability

The Crystal Casino Band © 2021
Features, Music, Reviews, Track-by-TrackAugust 12, 2021<March 2, 2025

“Catchy, Relatable, & Polished”: The Crystal Casino Band (form. The Colonies) Light Up with Radiant LP, ‘Not About You’

The Bots
Columns, Music, Today's SongAugust 12, 2021<August 12, 2021

Today’s Song: The Bots’ “Girl Problems” Is a Bright, Buoyant Burst of Indie Rock

Saint Sister © Ellius Grace
Features, Interviews, MusicAugust 12, 2021<August 12, 2021

Interview: Ireland’s Saint Sister on Their Radiant, Reflective Sophomore Album ‘Where I Should End’

girlhouse © 2021
Music, ReviewsAugust 11, 2021<August 11, 2021

Review: girlhouse Channels Dark, Intimate & Intense Emotions into New Single “happy now”

Anthonie Tonnon
Features, Music, Reviews, Track-by-TrackAugust 11, 2021<August 11, 2021

“Subtropical Post-Industrial Urbanism”: Anthonie Tonnon Dives into Vast, New LP, ‘Leave Love Out of This’

Cots © JG and Shi
Debut, Features, Music, Premieres, Reviews, Track-by-TrackAugust 11, 2021<August 11, 2021

“Nocturnal, Pensive, & Melancholic”: Inside Cots’ Dreamy Debut Album ‘Disturbing Body’

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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