• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Echo Bloom © Lissyelle Laricchia
Music, PremieresMay 4, 2021<May 4, 2021

Brooklyn’s Echo Bloom Reckon with the American Dream in “Don’t You Want to Be Loved”

White Water - Alex Lleo © Marc MacNab-Jack
Artist to Watch, Music, PremieresMay 4, 2021<May 4, 2021

Alex Lleo’s Breathtaking Song “White Water” Flows with Stormy, Stirring Serenity

Bellman © Line Loholt
Music, ReviewsMay 3, 2021<May 3, 2021

Bellman Shines a Light on the Darker Side of Life in “Let Somebody In (369)”

Yola © Joseph Ross Smith
Columns, Music, Today's SongMay 3, 2021<May 3, 2021

Yola’s Anthemic “Diamond Studded Shoes” Is an Energizing & Charged Call to Action

Surprise, Surprise - Savannah Conley
Features, Interviews, Music, Reviews, Track-by-TrackApril 30, 2021<June 13, 2023

“Surprise, Surprise”: Savannah Conley Shines with Stirring Strength & Stunning Depth on New EP

Blake Layman © Alex Gore
Music, Music Videos, PremieresApril 30, 2021<April 30, 2021

Premiere: Charlottesville’s Blake Layman Stuns with Quietly Charming “Unhistoric Acts”

Total Brutal
Music, ReviewsApril 29, 2021<April 29, 2021

Review: Total Brutal’s Sun-Soaked “Had a Feeling” Is a Dazzling, Emotional Daydream

heka
Music, ReviewsApril 29, 2021<April 29, 2021

Review: London’s heka Weaves Intimate Indie Folk Wonders in “(a) dab”

Sandro Manzon
Music, Reviews, Track-by-TrackApril 29, 2021<April 29, 2021

Solitude, Silence, & Connection: Sandro Manzon Weaves Little Wonders in ‘Mr. Nothing’ EP

Charlotte OC © Maximillian Hetherington
Music, ReviewsApril 28, 2021<April 28, 2021

Charlotte OC’s Bold Songs “Bad Bitch” & “Forest” Offer Stunning Preview of LP 2

Damen © Anna Mattsson
Music, PremieresApril 28, 2021<April 28, 2021

Premiere: Gothenburg’s Damen Light an Anthemic Fire in “Brightside” off New EP ‘Unemployment, Broken Bones, Death, Baby’

Gordi © Jess Gleeson
Features, Interviews, MusicApril 28, 2021<October 5, 2021

Reckoning, Identity, & Rediscovery: Gordi Plunges into Personal Depths on Breathtaking ‘Our Two Skins’

The Art of Waiting - James Parm
Features, Music, Reviews, Track-by-TrackApril 27, 2021<April 27, 2021

“Death, Time, Illusion”: James Parm’s Beautiful Sophomore Album ‘The Art of Waiting’

Subway Sick - j solomon
Music, PremieresApril 27, 2021<April 27, 2021

Premiere: NYC’s j solomon Finds His Footing on Indie Rock Jam “Subway Sick”

Catch Prichard © Rochelle Arucan
MusicApril 27, 2021<April 27, 2021

“Be patient, please”: Catch Prichard’s Raw, Expansive & Slow-Burning Debut ‘I Still Miss Theresa Benoit’

Posts pagination
1 … 151 152 153 154 155 … 313

Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services