• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Gatlin © 2020
Debut, Music, Reviews, Track-by-TrackSeptember 10, 2020<September 9, 2020

“Hurts So Good”: Gatlin Embraces Intimate & Catchy Depths on Debut EP ‘Sugarcoated’

penelope © Genevieve Andrews
Music, PremieresSeptember 10, 2020<September 10, 2020

Premiere: penelope’s “coming home” Is a Heartfelt Homecoming

Camille Christel © Eleanor Hardwick
Debut, Music, Reviews, Track-by-TrackSeptember 9, 2020<September 9, 2020

Dreamlike, Blue, & Cinematic: Camille Christel Unveils Her Stirring “Audible Diary” Debut EP, ‘You’

Nonsuch Park - Scott Helman
Music, Reviews, Track-by-TrackSeptember 8, 2020<September 8, 2020

Track-by-Track: Scott Helman’s Heart Soars in Sophomore Album ‘Nonsuch Park (sa)’

in earnest © 2020
Music, PremieresSeptember 8, 2020<October 8, 2020

Premiere: UK Trio in earnest Enchant with Wistful Reflections on “29”

Josiah Johnson © Sela Shiloni
Debut, Features, Interviews, MusicSeptember 4, 2020<September 4, 2020

“Resilience Instead of Perfection”: Josiah Johnson Dives into Debut Solo Album ‘Every Feeling on a Loop’

Features, Interviews, MusicSeptember 3, 2020<October 6, 2020

Interview: Daughtry Capture 2020’s Intensity in Apocalyptic Song, “World on Fire”

Good Days Bad Days - Anna Straker
Music, PremieresSeptember 3, 2020<September 29, 2020

Premiere: Anna Straker & Gabrielle Aplin Team Up on Intimate Outpouring “Good Days Bad Days”

Touch The Sound - Spun Out
Debut, Music, Reviews, Track-by-TrackSeptember 3, 2020<September 3, 2020

Track-by-Track: Flying Through Spun Out’s Cosmic Debut Album ‘Touch the Sound’

Timothy Nelson © Rachael Barrett
Music, PremieresSeptember 3, 2020<June 12, 2024

Artist to Watch: Perth’s Timothy Nelson Shines in Sun-Soaked “Summer They Say”

Blvck Hippie
Music, PremieresSeptember 3, 2020<September 2, 2020

Premiere: Memphis’ Blvck Hippie Deliver Jazzy Indie Rock Nostalgia in “Rhodes Ave”

JJ Draper © 2020
Music, PremieresSeptember 3, 2020<September 3, 2020

Premiere: JJ Draper Gets His Rock on in Fervent Single “Part of a Piece of This”

Zella Day © Neil Krug
Interviews, Music, Reviews, Track-by-TrackSeptember 2, 2020<September 2, 2020

Red, Purple, Bunnies: Inside Zella Day’s Soulful & Stylish ‘Where Does the Devil Hide’ EP

you say you love me... but i don't believe you - Car Astor
Debut, Features, Interviews, Music, Premieres, Track-by-TrackSeptember 2, 2020<September 2, 2020

Album Premiere: Car Astor Finds Musical Therapy in Vulnerable Upheaval, ‘you say you love me… but i don’t believe you’

Spirit of the Bear 2020
Music, PremieresSeptember 2, 2020<October 22, 2020

Premiere: Ohio’s Spirit of the Bear Unleash Their Fun, Feverish, & Hazy “Opaque”

Posts pagination
1 … 159 160 161 162 163 … 296

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services