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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Hazlett © Emil Daniel
Music, PremieresJanuary 14, 2020<January 14, 2020

Premiere: Basking in the Young & Free Energy of Hazlett’s “Monsters”

Atwood Magazine Editor's Picks 26
Columns, Editor's Picks, Features, MusicJanuary 14, 2020<January 14, 2020

Editor’s Picks: January 14, 2020

Stu Larsen © Nadia Meli
Music, PremieresJanuary 9, 2020<December 1, 2020

Premiere: Stu Larsen’s Heavy Heart Aches in Lovelorn “Phone Call From My Lover”

Of the Wild © Craig Clement (Ten23 Productions)
Debut, Music, PremieresJanuary 7, 2020<January 8, 2020

Premiere: Of the Wild Explode onto the Scene with Alt-Rock Verve in Debut EP ‘Banshee & Hope’

Kid Nobody © Dustin Giallanza
Music, PremieresJanuary 6, 2020<January 6, 2020

Premiere: “Ready or Not,” Kid Nobody Are Coming in Hot on New 2020 Single

Oh Wonder © Olga De La Iglesia
Columns, Music, This Just In, Today's SongJanuary 6, 2020<February 6, 2020

Oh Wonder’s Heartfelt “Happy” Is a Beautiful Song of Moving On & Letting Go

Atwood Magazine Editor's Picks 25
Editor's Picks, Features, MusicDecember 17, 2019<January 9, 2020

Editor’s Picks: December 17, 2019

Lust and Learn - The Slow Show
Features, Interviews, MusicDecember 16, 2019<December 16, 2019

Interview: The Slow Show Dive into the Breathtaking Depths of ‘Lust and Learn’

Bear's Den © Sequoia Ziff
Music, ReviewsDecember 11, 2019<December 11, 2019

Review: Bear’s Den Evoke Winter’s Warmth in ‘Only Son of the Falling Snow’ EP

Foxtails Brigade - Kramies
Music, PremieresDecember 10, 2019<December 10, 2019

Premiere: Foxtails Brigade & Kramies Unite in Split Single “On the Other Side” / “Between the Moon”

Moby Rich © Jack Dytrych
Music, PremieresDecember 5, 2019<December 5, 2019

Premiere: Tap into the High Highs of Moby Rich’s #Winning “Loser” (Broods Remix)

Everybody Breaks - Ivan & Alyosha
Music, Music Videos, PremieresDecember 3, 2019<December 4, 2019

Premiere: Everybody Bends & “Everybody Breaks” in Ivan & Alyosha’s Fiery New Music Video

Sean Christopher
Music, PremieresNovember 26, 2019<November 27, 2019

Premiere: Sean Christopher Breathes Love to Life in “Oheja”

Wild / Dreams - Conversing with Oceans
Debut, Features, Music, PremieresNovember 26, 2019<November 27, 2019

Premiere: The Push & Pull of Conversing with Oceans’ Dynamic Debut Album ‘Wild / Dreams’

Stonefield
Music, ReviewsNovember 22, 2019<November 22, 2019

Review: Stonefield’s Unapologetic Psych-Rock Journey ‘Far From Earth’

Posts pagination
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Recent Posts

  • Editor’s Picks 150: Fantastic Cat, Maya Engen, MUNA, Stephen Sanchez, Keni Titus, & The Undercover Dream Lovers! March 18, 2026
  • Every Single Song Is About You: CARR’s Sophomore Record ‘CARRGIRRL’ Is This Spring’s Most Relatable Soundtrack of Messy Decisions March 18, 2026
  • “Rather Be in Trenches with You”: CON THE ARTIST Finds Beauty in Love’s Messy Devotion on “Only You” March 18, 2026
  • “We Wanted to Make a Really Sexy Song”: Silverdeer Erupt with Pleasure and Power on “Open Mouth,” a Playful, Sweaty Celebration of Sexuality March 18, 2026
  • Roundtable Discussion: A Review of Bruno Mars’ ‘The Romantic’ March 17, 2026
  • “Music Is NOT a Waste of a Good Mind”: An Essay by Linda Marks for Women’s History Month March 17, 2026
  • “Staring Straight Down the Lens”: Soda Blonde Turn Shame into Power on “Suit & Tie,” a Liberating Alt-Pop Reckoning with Identity and Self-Worth March 17, 2026
  • Atwood Magazine’s Weekly Roundup: March 17, 2026 March 17, 2026
  • Delaney Bailey Isn’t Scared of Growth: The Expansive Pressure of ‘Concave’ and Evolving As an Artist March 16, 2026
  • “I’m a Bullet on an Arrow’s Path”: Grace Ives Flips the World the Middle Finger on “Stupid Bitches,” a Defiant Bedroom Pop Anthem March 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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