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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Weird Years © Shervin Lainez
Features, Interviews, Music, ReviewsMarch 29, 2019<March 29, 2019

Feature: The Weird Years Dive into Their Self-Titled Masterpiece

Kuri © Rachel Pick
Music, PremieresMarch 29, 2019<March 29, 2019

Premiere: The Breathtaking Genius of Kuri’s Avant-Folk Masterpiece “Sort Sol”

Simon XO © Sarah Lane
Music, PremieresMarch 28, 2019<March 28, 2019

Premiere: Simon XO Turns Anxiety into Alt-Rock Gold in “Over and Out”

Quiet - Grace May cover art
Debut, Music, PremieresMarch 28, 2019<April 2, 2019

Premiere: Grace May Debuts with Raw, Stirring Silent Anthem “Quiet”

Noah Kahan © Josh Goleman
Debut, Features, Interviews, MusicMarch 28, 2019<August 12, 2019

Interview: Inside Noah Kahan’s Beautiful Mess

Gabrielle Aplin © Louie Banks
Interviews, Music, This Just InMarch 27, 2019<March 27, 2019

Interview: Gabrielle Aplin’s Spirited Summer Pop Anthem “Nothing Really Matters”

editor's picks 3-25-2019
Columns, Editor's Picks, Music, PlaylistsMarch 25, 2019<April 1, 2019

Editor’s Picks: March 25, 2019

The Pressure Kids © 2019
Features, Music, ReviewsMarch 22, 2019<March 23, 2019

Feature: The Pressure Kids Let Loose in Raw, Radiant Debut EP

Bre Kennedy © Jason Lee Denton
Music, Music Videos, PremieresMarch 22, 2019<March 21, 2019

Premiere: Bre Kennedy Unleashes “Slippin” with High Energy & Resolve

Ivory Layne © Cedrick Jones
Music, PremieresMarch 22, 2019<March 22, 2019

Premiere: Ivory Layne’s Stunning “Heaven” Is an Intimate Prayer for Strength

Hozier © Matthew Thompson 2019
Features, Music, Our Take, ReviewsMarch 21, 2019<April 30, 2019

Hozier’s Fierce, Elegant & Irresistible Sophomore Album ‘Wasteland, Baby!’

JS Williams
Music, PremieresMarch 20, 2019<March 20, 2019

Premiere: JS Williams Debuts with Hauntingly Ambient “Only Oceans”

Yip Deceiver © Chelsea Korsne
Music, Music Videos, PremieresMarch 20, 2019<March 20, 2019

Premiere: Come Show a Little Love for Yip Deceiver’s Dance Party “Devotee”

Kelsy Karter music 2019
Features, Music, Reviews, This Just InMarch 19, 2019<March 20, 2019

Kelsy Karter Ignites with Ecstasy in Catchy, Assertive “What U”

Madelline © Olivia Kopec
Music, PremieresMarch 19, 2019<March 19, 2019

Premiere: The Anxious Enchantment of Madelline’s Hypnotic “Ghost”

Posts pagination
1 … 199 200 201 202 203 … 293

Recent Posts

  • Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan! January 15, 2026
  • “A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress” January 15, 2026
  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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