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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Elliah Heifetz © Marcus Maddox
Music, PremieresApril 11, 2019<April 11, 2019

Premiere: Welcoming Change with Elliah Heifetz’s Majestic “I’m Over Now”

Hayley Taylor © Shervin Lainez
Music, PremieresApril 10, 2019<April 10, 2019

Premiere: Hayley Taylor Shines in Vulnerable Return “Falling Hard”

Luke Sital-Singh © Hattie Ellis
Music, Music Videos, Premieres, ReviewsApril 10, 2019<April 10, 2019

Premiere: Luke Sital-Singh’s “Raise Well” Radiates Hope & Love in a Golden State of Mind

Covey © Matt Marino
Music, PremieresApril 9, 2019<April 9, 2019

Premiere: Covey’s Poignant Acoustic Lullabye “Stable Now”

Paper Beat Scissors © Alex Pearson - Kyle Cunjak
Music, PremieresApril 9, 2019<April 9, 2019

Premiere: Paper Beat Scissors Charms with Radiant & Sly “Don’t Mind”

Cicada Songs - Trevor Sloan
Music, PremieresApril 8, 2019<April 8, 2019

Premiere: Trevor Sloan’s Psych-Folk Dream “Faces I Love”

Atwood Editor's Picks 2019-04-08
Columns, Editor's Picks, Features, Music, PlaylistsApril 8, 2019<April 30, 2019

Editor’s Picks: April 8, 2019

Hollywood Gold - The Prescriptions
Debut, Music, ReviewsApril 5, 2019<April 8, 2019

Review: The Prescriptions’ Debut ‘Hollywood Gold’ Is a Raw Dose of the Good Stuff

"Deer Head" by Megan Nash
Music, Music Videos, PremieresApril 5, 2019<April 5, 2019

Premiere: Megan Nash’s “Deer Head” Is a Raw, Aching Anthem for the Heavy-Hearted

No Saviors EP - CLAVVS
Music, Reviews, Track-by-TrackApril 4, 2019<April 4, 2019

Track-by-Track: The Intimate Seduction of CLAVVS’ ‘No Saviors’ EP

The Away Days © 2019
Music, PremieresApril 4, 2019<April 4, 2019

Premiere: Dream Pop Duo The Away Days Return with Poignant & Soaring “Designed”

Anima & Ennui © Jay Messenger
Debut, Music, PremieresApril 3, 2019<April 3, 2019

Premiere: Anima & Ennui Embrace Life in Haunting Debut “Nothing Better”

Promise to Send
Music, Music Videos, PremieresApril 2, 2019<April 2, 2019

Premiere: Tanbark’s “Promise to Send” Video Immerses Us in Dreamy Nostalgia

Surprises © Taylor Thomas Paschal
Debut, Music, PremieresApril 2, 2019<April 2, 2019

Premiere: Letting Loose with Surprises’ Raw, Catchy & Volatile “Natural Disaster”

Tara Terra © Morgan Ciesielski
Music, PremieresApril 1, 2019<April 2, 2019

Premiere: Tara Terra Return with Irresistibly Raw “Ithaca”

Posts pagination
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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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