• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

THRILLCHASER © Shervin Lainez
Music, Music Videos, PremieresMarch 7, 2018<March 7, 2018

Video Premiere: THRILLCHASER’s “Out of Our Minds” Dwells in Love & Chaos

Live from a Stranger Time - Alexz Johnson
Features, Interviews, Music, PremieresMarch 7, 2018<March 19, 2018

Album Premiere: Alexz Johnson Is Raw & Unfiltered in ‘Live From a Stranger Time’

Young Sierra © 2018
Music, Premieres, ReviewsMarch 6, 2018<March 27, 2018

Premiere: Young Sierra Embrace Intimacy & Connection on “Revo”

Jong SL © 2018
Music, PremieresMarch 6, 2018<March 6, 2018

Premiere: Jong SL’s Poignant Cry for “Old Times Sake”

Andy Cook © Mariah Crabb
Music, PremieresMarch 6, 2018<March 6, 2018

Premiere: Get Lost in the “Swirl” with Andy Cook

Vaarwell © 2018
Interviews, Music, PremieresMarch 6, 2018<March 6, 2018

Premiere: Vaarwell’s Heart-Heavy “Stay” Is a Rollercoaster of Emotions

Ghost Pressure © Mark Sylvester
Music, PremieresMarch 5, 2018<March 5, 2018

Premiere: Ghost Pressure Shine a Heavy Darkness in “Sunless Dawn”

Sneaky Little Devil © 2018
Debut, Music, PremieresMarch 5, 2018<March 5, 2018

Premiere: Sneaky Little Devil Vibe “In & Out of Time” on Dreamy Debut

ZØYA © Kaitlin Parry
Music, Music Videos, PremieresMarch 2, 2018<March 2, 2018

Video Premiere: ZØYA Finds Her Happy Place on “Chaos in My Head”

Albin Lee Meldau © Fredrik Skogkvist
Columns, Music, Today's SongMarch 2, 2018<March 1, 2018

Today’s Song: Heavy Hearts in Albin Lee Meldau’s Soul-Strained “The Weight Is Gone”

Rue Snider © 2018
Music, PremieresMarch 1, 2018<March 2, 2018

Premiere: Rue Snider’s Beautiful “Vamonos” and its Poignant Life Lesson

Something to Hold On to - Walker
Debut, Features, Music, PremieresMarch 1, 2018<March 1, 2018

EP Premiere: Walker’s Warm, Grooving Debut is Truly ‘Something to Hold On To’

BADTALKERS © 2018
Music, Music Videos, PremieresMarch 1, 2018<March 1, 2018

Premiere: BADTALKERS’ Dark & Intimate “No Pity” Stands Against Gun Violence

Indigo Husk © 2018
Music, PremieresMarch 1, 2018<March 6, 2018

Premiere: Indigo Husk Shine Bright in “Not Feeling Better”

go to hell - luhx.
Columns, Music, Reviews, Today's SongFebruary 28, 2018<February 28, 2018

Today’s Song: luhx. Empower with Self-Love in Rallying Cry “go to hell.”

Posts pagination
1 … 234 235 236 237 238 … 290

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services