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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Belle of the Fall © Mike Marques
Music, PremieresFebruary 12, 2018<February 12, 2018

Premiere: “Rise Up” with Belle of the Fall’s Uplifting Folk Beauty

DENNY © 2017
Features, Music, PremieresFebruary 12, 2018<February 12, 2018

Premiere: “Something Furious,” DENNY’s Entrancing Love-Soaked Euphoria

Karaoke Life - Blue Jazz TV
Music, Music Videos, PremieresFebruary 9, 2018<February 9, 2018

Premiere: Be What You Want in Blue Jazz TV’s “Karaoke Life”

James Bay © Sarah Piantadosi
Features, Music, Reviews, This Just InFebruary 8, 2018<February 12, 2018

This Just In: James Bay Returns with Intimate, Electrifying “Wild Love”

The Young Novelists © Jen Squires
Music, PremieresFebruary 8, 2018<February 8, 2018

Premiere: The Young Novelists “Come Round Again” with Euphoric Bliss

Beauty Sleep © 2018
Music, PremieresFebruary 8, 2018<February 8, 2018

Premiere: Beauty Sleep Dreamily Yearn for “The Feeling Back”

Goldsmoke © 2018
Music, PremieresFebruary 8, 2018<February 8, 2018

Premiere: The Heavy Heat of Goldsmoke’s “I’m Not Looking” for Love Song

RIVVRS © David Cano
Music, Music Videos, PremieresFebruary 8, 2018<February 8, 2018

Premiere: RIVVRS Blasts Off on Raw, Reflective “Don’t Wanna Know”

Knees - Mr. Carnivore
Columns, Music, Reviews, Today's SongFebruary 8, 2018<February 7, 2018

Today’s Song: Mr. Carnivore’s “Knees” Taps into Intimacy’s Darkness

LE∆DR © Margo Victor
Debut, Music, PremieresFebruary 7, 2018<February 7, 2018

Premiere: The Ethereal White Energy of LE∆DR’s Debut “Waves”

Jordan Tyler © 2018
Music, PremieresFebruary 6, 2018<February 6, 2018

Premiere: Jordan Tyler’s Intoxicating, Lovelorn Debut “Hungover”

Anna Altar © Sarah Thompson
Debut, Music, PremieresFebruary 6, 2018<March 27, 2018

Premiere: Anna Altar’s Debut “Like You” Captures Connection’s Beauty & Pain

Swerve © 2018
Music, PremieresFebruary 6, 2018<February 6, 2018

Premiere: “Lose Control” with Swerve’s Sunny Feelgood Vibes

Jane Church © 2018
Music, PremieresFebruary 6, 2018<February 6, 2018

Premiere: Fuzz-Rock Dreams in Jane Church’s “Rocket to the Kremlin”

Matador Soul Sounds © Ashley LaBlonde, Wide Eyed Studios
Music, PremieresFebruary 5, 2018<February 5, 2018

Premiere: Matador! Soul Sounds’ Vibrant “Too Late” Is Right on Time

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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