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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Deanna Petcoff © 2018
Debut, Music, PremieresFebruary 28, 2018<November 9, 2018

Premiere: Deanna Petcoff Debuts with Bittersweet Confessional “Terribly True”

HOT LIKE SUSHI © 2018
Music, PremieresFebruary 28, 2018<February 28, 2018

Premiere: HOT LIKE SUSHI Climb Sky-High in Euphoric “Do You Wanna”

Pistoleros © Jim Louvau
Music, Music Videos, PremieresFebruary 27, 2018<February 27, 2018

Video Premiere: Pistoleros Temper Raw Energy in “Did You Wake Up All Alone”

Wyvern Lingo - Wyvern Lingo album art
Debut, Music, Our Take, ReviewsFebruary 26, 2018<February 26, 2018

Our Take: Wyvern Lingo Rise with Heat, Richness and Depth on Self-Titled Debut

Pretty City © 2018
Music, Music Videos, PremieresFebruary 26, 2018<February 26, 2018

Video Premiere: Pretty City Soar with New Love in “Flying”

Gizmo Varillas © Carsten Windhorst
Music, Music Videos, PremieresFebruary 26, 2018<February 26, 2018

Video Premiere: Loss & Light in Gizmo Varillas’ Poignant “Losing You”

Drama - NoMBe cover
Music, Reviews, This Just InFebruary 23, 2018<March 30, 2018

This Just In: Relax with NoMBe’s Vibing and Carefree “Drama”

Ladysse - Eleven video still
Music, PremieresFebruary 23, 2018<February 23, 2018

Video Premiere: Ladysse’s Dreamy “Eleven” Embraces the Monster Under the Bed

Eddie Berman © 2018
Music, Music Videos, PremieresFebruary 23, 2018<February 23, 2018

Video Premiere: Eddie Berman Packs Up His Life in “My Will Be Done”

Hayley Sabella © Sasha Pedro
Music, Premieres, ReviewsFebruary 22, 2018<February 22, 2018

Premiere: Exposing Raw Vulnerability in Hayley Sabella’s “Love Is a Chisel”

High Up © Andy Lachance
Debut, Features, Music, Our Take, Premieres, ReviewsFebruary 22, 2018<March 6, 2018

Album Premiere: High Up Radiate with Energy & Power on Debut ‘You Are Here’

Nightshifts © Jack Fowler
Music, PremieresFebruary 22, 2018<February 22, 2018

Premiere: Wash Away with Nightshifts’ Lovelorn “Next to Me”

COIN © Hunter Airheart
Features, Interviews, MusicFebruary 21, 2018<March 6, 2018

Special, Unique, and Dynamic: A Conversation with COIN

TØMA © Félix De Portu
Music, PremieresFebruary 21, 2018<February 21, 2018

Premiere: TØMA Embrace the Moment in Bubbly “Book of Yesterday”

Of Good Nature © 2018
Music, PremieresFebruary 21, 2018<February 21, 2018

Premiere: Passion & Longing Fill Of Good Nature’s “Take Me Anywhere” with Warmth

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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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