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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

SVVN © 2017
Debut, Music, Music Videos, PremieresOctober 31, 2017<February 22, 2019

Premiere: SVVN’s “Sand and Snow” Captures Birth’s Ambient Beauty

Tag Cloud © 2017
Debut, Music, PremieresOctober 31, 2017<October 31, 2017

Premiere: Tag Cloud’s “Will Work” Debuts in Dreamy Reverie

Luke Underhill © 2017
Music, Music Videos, PremieresOctober 31, 2017<October 31, 2017

Premiere: The Timelessness of Luke Underhill’s Acoustic “I Wanna Make You Dance”

Cale Gravity Well © Shervin Lainez
Music, PremieresOctober 30, 2017<October 31, 2017

Premiere: The Delightfully Loose Screws of Cale and the Gravity Well’s “Contessa”

The Morning Yells © Chase Bescey
Music, Music Videos, PremieresOctober 30, 2017<October 30, 2017

Premiere: Dreamy Folk on The Morning Yells’ “She Knows Exactly What She’s Doing”

Kramies © Jerome Sevrette
Music, Music Videos, PremieresOctober 27, 2017<October 27, 2017

Premiere: Kramies’ “I Wish I Missed You” Is a Poignant Farewell

Strange Phases © 2017
Debut, Features, Music, PremieresOctober 27, 2017<October 27, 2017

Album Premiere: Strange Phases Debut ‘Art of Restart’ with Dynamic Fire

Kayls © Jon Ecker & Larissa Zbryski
Debut, Music, PremieresOctober 27, 2017<October 27, 2017

Premiere: Kayls Basks in Dark Lust on Debut “Summer”

Rotoscope © Shaleigh Fairbanks
Features, Music, PremieresOctober 27, 2017<October 27, 2017

EP Premiere: Rotoscope’s ‘Clean Lines’ Captures Our Digital Disconnect

Woosah - Josephina
Debut, Music, Music Videos, PremieresOctober 26, 2017<October 26, 2017

Premiere: The Love & Liquored-Up Seduction of Josephina’s Debut “Woosah”

I, Alexander © Elena Montemurro
Debut, Music, PremieresOctober 26, 2017<October 26, 2017

Premiere: Intimacy & Intensity Color I, Alexander’s Debut “Divide”

Benta © 2017
Music, PremieresOctober 26, 2017<October 26, 2017

Premiere: BENTA Embraces Life’s Beauty on Pulsing “Everybody’s Somebody”

hunter & wolfe © aymann ismail
Music, PremieresOctober 26, 2017<October 26, 2017

Premiere: hunter & wolfe’s Poignant and Heartbreaking “Dear Annie”

Jericho - ONR © Omar Al-Zidjali
Debut, Features, Music, Music Videos, PremieresOctober 26, 2017<November 6, 2017

Video Premiere: The Restless Fury of Onr.’s Epic Debut “Jericho”

So Lonely - Mosquitos still
Music, Music Videos, PremieresOctober 25, 2017<November 1, 2017

Premiere: Connecting to Disconnect in Mosquitos’ Tender “So Lonely”

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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    • Nostalgia Tracks
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