• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

King Cardinal © Scott McCormick
Music, PremieresMay 11, 2017<May 11, 2017

Premiere: King Cardinal Embrace the Moment on Warm “Seventeen”

Until We Both Get Bored - Zander Hawley
Debut, Features, Interviews, Music, ReviewsMay 11, 2017<May 11, 2017

Review: Zander Hawley Captures the Pain, Intimacy & Beauty of Heartbreak

The Junction © Justin Broadbent
Music, PremieresMay 11, 2017<May 11, 2017

Premiere: The Junction Take Control of Life on “Changes”

get over it - tinmouth still
Music, Music Videos, PremieresMay 10, 2017<May 11, 2017

Premiere: The Social Critique of Tinmouth’s Biting “Get Over It”

Doghouse Charlie © 2017
Music, PremieresMay 10, 2017<May 10, 2017

Premiere: Doghouse Charlie’s “Susquehanna,” a Psychedelic Symphony to Nature

SYML © Adrian Ragasa
Features, Music, PremieresMay 10, 2017<May 10, 2017

Premiere: SYML’s Haunting Cover of “Mr Sandman” Gives New Life to an Old Classic

Maps & His Mothball Fleet © Rovi
Music, Music Videos, PremieresMay 9, 2017<May 9, 2017

Video Premiere: Hope and Distance on Maps & His Mothball Fleet’s “A Lot Becomes a Little”

Rival Shapes © 2017
Music, PremieresMay 9, 2017<May 9, 2017

Premiere: Rival Shapes’ “The Longing” Burns with Love & Poignant Nostalgia

Carry Illinois © 2017
Music, PremieresMay 8, 2017<November 29, 2017

Premiere: The Resilient Energy of Carry Illinois’ Somber “Little Shell”

saw tooth wave © 2017
Debut, Music, PremieresMay 8, 2017<May 8, 2017

Premiere: Saw Tooth Wave’s Driving Synth-Rock Debut “My New Bicycle”

James Arthur © 2017
Features, Interviews, Music, ReviewsMay 8, 2017<December 15, 2020

Recovery, Redemption, and Finding Purpose: A Conversation with James Arthur

Cowards Choir - The Singing Tree © 2017
Music, Music Videos, PremieresMay 5, 2017<May 5, 2017

Premiere: The Cowards Choir Evoke a Circle of Life on “The Singing Tree”

Laika - Mothlight
Music, Premieres, ReviewsMay 5, 2017<May 8, 2017

Album Premiere: The Dazzling Warmth of Mothlight’s Dreamy ‘Laika’

I See Rivers © 2017
Debut, Features, Music, Our Take, ReviewsMay 4, 2017<May 12, 2017

Our Take: The Enchanting Siren Song of I SEE RIVERS’ Debut ‘Standing Barefoot’ EP

Falling Off the Earth - Rachel Price still
Music, Music Videos, PremieresMay 4, 2017<May 4, 2017

Video Premiere: Pain and Passion in Rachel Price’s Lovelorn “Falling Off the Earth”

Posts pagination
1 … 264 265 266 267 268 … 293

Recent Posts

  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
  • “These Emotions Are a Reminder That I Am a Human Being”: Lucia Lets Pain Breathe on “Wash you clean” January 11, 2026
  • “When Will the Highs and Lows Level Out?”: Chelsea Jordan Navigates Grief & Hope with Grace on Her Breathtakingly Beautiful “level out” January 10, 2026
  • Atwood Magazine’s Weekly Roundup: January 9, 2026 January 9, 2026
  • “We Were Never the Same”: Indie Rock Duo Witch Post Embrace Unease, Myth, & Transformation on “Changeling” January 9, 2026
  • Brigitte Calls Me Baby Turned Fear of Death into Romantic Rock Songs Full of Hope, Drama, and Existential Dread January 8, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services