• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Gianni Paci © 2017
Features, Music, Music Videos, PremieresFebruary 8, 2017<February 8, 2017

Exclusive Premiere: The Raw, Intimate Duality of Gianni Paci’s “Tonight’s The Night”

All Things Blue © Erika Mugglin
Features, Music, PremieresFebruary 7, 2017<February 7, 2017

Exclusive Premiere: The Intimate Staying Power of All Things Blue’s “Milk and Honey”

Souvenir Driver © Heather Boyd
Features, Music, Our Take, ReviewsFebruary 2, 2017<February 2, 2017

Our Take: Souvenir Driver Present the 4 Stages of Grief on Powerful Anti-Trump EP

Emma White © 2017
Features, Music, PremieresFebruary 2, 2017<February 8, 2017

Exclusive Premiere: Emma White Brings an Intimate, Fresh Voice to Country-Pop

Grumpus © 2017
Features, Music, PremieresJanuary 31, 2017<January 31, 2017

Exclusive Premiere: Grumpus’ “Divides” Takes a Moment for Real Reflection

Garrett Pierce © 2017
Features, Music, PremieresJanuary 30, 2017<January 30, 2017

Exclusive Premiere: A Stirring Empathy in Garrett Pierce’s “Get Me Out of This Place”

Fawns of Love (L-R): Jenny Andreotti, Joseph Andreotti © Joseph Andreotti
Features, Music, PremieresJanuary 27, 2017<January 27, 2017

Exclusive Premiere: Fawns of Love Capture Turmoil on Melancholy “Silly Boy”

Sleeptalkre © Nadine Berns
Debut, Features, Music, PremieresJanuary 26, 2017<January 26, 2017

Exclusive Premiere: Dance to the Pop Power of Sleeptalkre’s “Fractions” Ricca Vita Remix

Frederick the Younger © Danielle Elise Bartley
Features, Music, PremieresJanuary 24, 2017<January 25, 2017

Exclusive Premiere: Frederick The Younger Submit to Winter’s Spell on”Leaves Are Gone”

"All the Time" - American Dreamer still
Features, Music, Music Videos, PremieresJanuary 23, 2017<January 23, 2017

Exclusive Premiere: American Dreamer’s “All the Time” Video Captures the American Dream

"Time (How to Love)" still - Hunters of the Alps
Debut, Features, Music, Music Videos, PremieresJanuary 20, 2017<January 20, 2017

Exclusive Premiere: Hunters of the Alps Freeze a Moment in “Time (How to Love)”

Ten Times Out of Ten - Amy Guess
Debut, Features, Music, PremieresJanuary 20, 2017<January 24, 2017

Exclusive Premiere: Amy Guess Gets Explosive and Intimate on Debut EP ‘Ten Times Out of Ten’

Nightly © Catie Laffoon
Features, Interviews, MusicJanuary 19, 2017<March 9, 2017

The New Classic: A Conversation with Nightly

Allman Brown © Jodie Canwell
Features, Music, PremieresJanuary 18, 2017<January 24, 2017

Exclusive Premiere: “Sweetest Thing,” Allman Brown’s Intimate Loving Lullabye

Kate Grom © Jeremy Cowart
Features, Music, PremieresJanuary 17, 2017<January 17, 2017

Exclusive Premiere: Kate Grom’s Poignant “Tricks” Plays the Game of Love and Lust

Posts pagination
1 … 270 271 272 273 274 … 291

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services