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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

We Can Die Happy - Tennis
Features, Music, Our Take, ReviewsNovember 15, 2017<December 11, 2017

Our Take: The Dreamy Depths of Tennis’ Magical ‘We Can Die Happy’ EP

Elwell © 2017
Music, PremieresNovember 15, 2017<November 15, 2017

Premiere: Elwell “Claps” for Clarity and Closure

Sleight of Hand © POP ETC
Features, Music, Music Videos, PremieresNovember 15, 2017<November 15, 2017

Premiere: POP ETC’s Dreamy “Sleight of Hand” Begs for Balance in Chaos

Mountain - LA River Bend
Music, PremieresNovember 14, 2017<November 14, 2017

Premiere: LA River Bend’s Fearless Folk-Rock Anthem “Mountain”

Fascinations Grand Chorus © kelli mcguire
Music, PremieresNovember 14, 2017<November 14, 2017

Premiere: Love & Hope in Fascinations Grand Chorus’ “When You’re Mine”

Trevor Hall © Emory Hall
Features, Music, PremieresNovember 14, 2017<November 20, 2017

Premiere: Trevor Hall’s Vibrant “Moon / Sun” Radiates with Love

Cayden Wemple © Suzi Illia
Debut, Music, PremieresNovember 14, 2017<November 14, 2017

Premiere: Uncertainty Reigns in Cayden Wemple’s Debut “Better”

Megan Dixon Hood © 2017
Music, PremieresNovember 13, 2017<November 13, 2017

Premiere: Waking the Beast on Megan Dixon Hood’s “Alias Grace”

Grand Am © 2017
Debut, Music, PremieresNovember 13, 2017<November 13, 2017

Premiere: Grand Am Speak Up and Get Heard on Debut “All That I Ever Do”

Micah McCaw © 2017
Music, PremieresNovember 13, 2017<November 13, 2017

Premiere: The Pursuit of Dreams in Micah McCaw’s Reflective “Tearing Seams”

I Hate You Just Kidding © Joel Hodson
Music, PremieresNovember 10, 2017<November 10, 2017

Premiere: I Hate You Just Kidding’s Happy/Sad Song “Smokestacks”

Crush EP - Alyeska 9.1
Columns, Debut, Features, Music, Music You Should Know, Our Take, ReviewsNovember 9, 2017<November 25, 2025

Feature: Alyeska Debut with Crushing Weight and a Raw Energy

Sondre Lerche © Isabell N Wedin
Features, Interviews, Music, ReviewsNovember 9, 2017<December 11, 2017

Feature: Embracing Raw Intimacy Through Sondre Lerche’s Solo “Siamese Twin”

Howard © Sonya Kitchell
Columns, Music, Reviews, Today's SongNovember 8, 2017<November 8, 2017

Today’s Song: Howard’s Hypnotic “Mother’s Wedding” Pushes the Envelope

STAL © Julien Mignot
Music, Music Videos, PremieresNovember 7, 2017<November 8, 2017

Premiere: The Dynamic Euphoria of STAL’s Anthemic “Fresh Blood”

Posts pagination
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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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