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Adrian Vargas

Adrian Vargas

Adrian is a 2017 Florida State University graduate where he focused on editing, writing, and media. He is now living in Brooklyn, New York. Adrian works as a digital marketer, but music and all that goes into it continues to be a passion of his. You may find Adrian wandering around the city aimlessly (more than likely lost) or at home watching anime, movies, or reading anything sci-fi related. He can also make a dang good plate of shrimp scampi.

Rodrigo y Gabriela © Ebru Yildiz
Interviews, Music, ReviewsApril 21, 2023<April 30, 2023

“But At Least We Had Music”: A Conversation with Rodrigo y Gabriela

Jacob Banks © Edward Cooke
Features, Interviews, MusicMay 5, 2022<October 5, 2022

Unity Through Music: A Conversation with Jacob Banks

Music, Music Videos, PremieresMarch 16, 2022<March 16, 2022

Premiere: Amine Mesnaoui & Labelle Craft Suspenseful Allure on “Périastre”

Interviews, MusicFebruary 10, 2022<February 18, 2022

“Music Is My Mother Tongue”: A Conversation with Sofiane Pamart

Music, ReviewsNovember 16, 2021<November 16, 2021

Review: Mabe Fratti & Concepción Huerta Reimagine the Composer on EP ‘Estática’

Columns, Music, Today's SongNovember 3, 2021<November 3, 2021

Today’s Song: Diving Into the Folly of the High Life with Ellie Bleach’s “Doing Really Well Thanks”

Music, PremieresOctober 14, 2021<October 14, 2021

Premiere: Jazzy & Heartfelt, Florie Namir Creates Splendor on “Piece of My Soul”

Interviews, Music, ReviewsOctober 11, 2021<October 11, 2021

Interview: Hands Down Shines on Debut Album ‘Paintroller’

Columns, Music, Today's SongOctober 1, 2021<October 1, 2021

Today’s Song: Exploring the Ugly Truth of Fame on Number One Popstar’s “TV”

Interviews, MusicSeptember 28, 2021<September 28, 2021

Interview: Dancing Through the Pains of Youth with Modernlove.

Columns, Music, Today's SongSeptember 24, 2021<September 24, 2021

Today’s Song: A Breezy & Soulful Look Into Taylor Kelly’s Mind With “Maybe”

Andy Shauf © Colin Medley
Columns, Music, Today's SongSeptember 8, 2021<September 8, 2021

Today’s Song: A Sun-Adorned Look into Broken Love on Andy Shauf’s “Spanish on the Beach”

Columns, Music, Today's SongSeptember 7, 2021<September 7, 2021

Today’s Song: A Vast Beauty on Japanese Breakfast’s “Glider”

Columns, Music, Today's SongSeptember 1, 2021<September 1, 2021

Today’s Song: Young & Sick Manifests Gleeful Charm on Latest Single “CICADAS”

MusicAugust 30, 2021<August 30, 2021

Review: Confident Roars & Energized Melodies Uplift Suzanne Santo’s ‘Yard Sale’

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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