• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Baylee Less

Baylee Less

Baylee is an aspiring music journalist who currently contributes to Atwood Magazine and the I Love Memphis Blog. A native (and proud) Memphian, she spends most of her time waiting for the next Bonnaroo, quoting School of Rock, and late night ordering Domino's cheesy bread. Follow me on Twitter for comments on the juiciest releases, climate change, and general revelry.

Features, Interviews, MusicJuly 17, 2020<August 23, 2020

Funky, Fresh, and Taking Up Space: The Aces’ New Album ‘Under My Influence’

Jessica Nicole Brown © 2020 8
Debut, Music, Our Take, ReviewsJune 17, 2020<December 15, 2020

Our Take: Jessica Nicole Brown Is Raw, Bright, & Real on Debut EP ‘Girl, I Don’t Know’

Jess Williamson © Kathryn Vetter Miller
Features, Interviews, MusicMay 13, 2020<May 15, 2020

Interview with Jess Williamson: The Beauty of Going Through Life Alone

Die 4 Ur Love - Tei Shi
Music, Reviews, This Just InMay 7, 2020<May 7, 2020

This Just In: Tei Shi Dances Her Way Past Desire & Devotion in “Die 4 Ur Love”

IVERSON © Nicole Bitonti
Music, PremieresMay 7, 2020<May 6, 2020

Premiere: IVERSON Reflect on the “Purity of Youth” with Lush, Electrifying Energy

GAYLE © Jimmy Fisco
Music, PremieresApril 23, 2020<April 23, 2020

Premiere: GAYLE’s “happy for you” Wistfully Confronts the Conflicting Ache of Moving On

Chris Milam © Lisa Hubbard
Columns, Music, Today's SongApril 23, 2020<April 22, 2020

Today’s Song: Wistful, Symphonic, and Verdant, Chris Milam Radiates in “Phoenix”

Columns, Music, Today's SongApril 9, 2020<April 9, 2020

Today’s Song: McCall Exhilarates with Fire, Pop, and Personal Antagonism in “Disaster”

Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

Feature: Rihanna Unapologetically Returns with New Album ‘Bad Girl Gone Good’

Debut, Music, Premieres, Track-by-TrackMarch 24, 2020<March 24, 2020

EP Premiere: ZEMBU’s Debut EP ‘recall’ Offers a Spectral Journey of Self-Discovery

Columns, Music, Reviews, Today's SongMarch 24, 2020<March 26, 2020

Today’s Song: Pip Millett’s “June” Warms Us With Nostalgia for a Simpler Time

Features, Interviews, MusicMarch 19, 2020<March 19, 2020

Escaping Monotony: An Interview with Alfie Templeman

Gatlin © Hannah Hall
Music, PremieresMarch 12, 2020<March 12, 2020

Premiere: The Subtle Brilliance of Gatlin’s “I Think About You All The Time”

Music, Reviews, This Just InMarch 6, 2020<March 6, 2020

This Just In: Healy Exquisitely Wrestles with the Swift Passage of Time in “Nikes On”

The Aces © Red Bull Records
Features, Interviews, MusicMarch 4, 2020<May 15, 2020

Feature: The Aces’ Irresistible “Daydream” Is an Electric, Playful, and Authentic Return

Posts pagination
1 2 3 4

Recent Posts

  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
  • “So What This, So What That”: Plain Mister Smith Turns Zen, Humor, & Human Messiness into Indie Rock Exhilaration on “Andy Warhol” December 2, 2025
  • “Bold, Honest, & Alive”: Louie Blue on Crafting the Warm, Moody, Instinct-Driven World of ‘Blood & Bones’ December 2, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services