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Beau Hayhoe

Beau Hayhoe

Beau is a Brooklyn-based freelance writer covering music, menswear, whiskey, craft beer and more. Beau's work has appeared at outlets like SPIN, MTV.com, Esquire.com, Maxim and more. He's interviewed artists ranging from Brandon Flowers of The Killers to Aaron Dessner of The National.

Montauk Hotel © Simon Walsh
Columns, Music, Today's SongFebruary 17, 2023<February 16, 2023

Today’s Song: Montauk Hotel Urge You to Jump in with Shimmering ‘80s Ode “Dive (Come Afloat)”

Cal in Red © 2023
Columns, Music, Today's SongFebruary 3, 2023<February 2, 2023

Today’s Song: Cal in Red Shift into Gear with “Corvette” Off New EP, ‘On the Dance Floor’

Circa Waves © Lewis Vorne
Columns, Music, Today's SongJanuary 16, 2023<January 16, 2023

Today’s Song: Circa Waves Take Aim at Climate Change & an Uncertain Future with “Never Going Under”

The Sarandons © Steph Montani
Columns, Music, Today's SongJanuary 13, 2023<January 13, 2023

Today’s Song: Canadian Heartland Rockers The Sarandons Get Introspective with “Sightlines”

Algiers © Ebru Yildiz
Columns, Music, Today's SongDecember 19, 2022<December 18, 2022

Today’s Song: Algiers Get Collaborative & Team with Zack de la Rocha for “Irreversible Damage” Off 4th LP, ‘Shook’

Day Wave © Nikoli Partiyeli
Columns, Music, Today's SongDecember 14, 2022<December 14, 2022

Today’s Song: Day Wave Returns with New Track “Cold Like Me” on Deluxe Edition of 2nd LP ‘Pastlife’

Smut © Jaycee Rockhold
Columns, Music, Today's SongNovember 22, 2022<November 22, 2022

Today’s Song: Smut Blend Past & Present on Hazy, ‘90s-Tinged Rocker “Supersolar”

Jaws of Love. © Joey Wasilewski
Columns, Music, Today's SongNovember 8, 2022<November 1, 2022

Today’s Song: Local Natives’ Kelcey Ayer Returns as Jaws of Love with Heartbreakingly Beautiful “Rainbow Baby”

Wild Pink 'ILYSM' © Mitchell Wojcik
Features, Interviews, MusicOctober 17, 2022<March 30, 2024

Interview: Wild Pink’s John Ross Talks Gorgeous New LP ‘ILYSM,’ Beating Cancer, & the Frightening Realities of Touring

mx lonely © 2022
Columns, Music, Today's SongSeptember 17, 2022<September 15, 2022

Today’s Song: New York Rockers Mx Lonely Blend Post-Punk & Shoegaze on “Paper Cranes” & New LP ‘Cadonia’

Alvvays © Eleanor Petry
Columns, Music, Today's SongSeptember 6, 2022<September 5, 2022

Today’s Song: “Pharmacist” Signals an Impressive, Long-Awaited Return for Alvvays

Me Like Bees © 2022
Columns, Music, Today's SongAugust 19, 2022<August 18, 2022

Today’s Song: Me Like Bees Turn Up the Volume with Energetic Indie Rocker “Radio”

Nightlands (Dave Hartley) © Charlie Boss
Features, Interviews, MusicAugust 9, 2022<August 9, 2022

Interview: Dave Hartley of The War On Drugs Talks Solo Project Nightlands, Building His Own Recording Studio & The Miracle of Songwriting

The Kills © 2022
Concerts, Music, ReviewsJune 20, 2022<June 20, 2022

Veteran Rock Duo The Kills Wow Brooklyn Steel with a Classic Saturday Night Rock Show

HIGH. © 2022
Columns, Today's SongJune 16, 2022<June 16, 2022

Today’s Song: New Jersey Band HIGH. Burst onto the Scene with Debut Single “Dead”

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Recent Posts

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  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
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  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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