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David Buyze

David Buyze

David is a writer on music and culture for Atwood Magazine. He has a PhD from University of Toronto, and is a professor at several universities including TCU where he teaches courses on David Bowie; British Music & Memoir; and Music, Fashion & Style in the MLA program. He enjoys exploring innovative ways to write on music and culture and review music through the prism of his own experience and as a surveyor of cultural dynamics. David views the transformative power of music as an existential force that transcends cultures, identities, and one that shapes human relationships in highly illuminating ways across time and memory. Connect with him on Instagram (@davidbuyze) or at d.buyze@tcu.edu!

Danna Paola © 2023
Columns, Music, Today's SongAugust 13, 2023<August 12, 2023

Today’s Song: The Deep Reveal of Danna Paola’s “Tenemos que hablar”

Everything But The Girl © Edward Bishop, 2022
Music, ReviewsMay 2, 2023<May 2, 2023

Album Review: Everything But The Girl’s ‘Fuse’ & the Weight of the World

Depeche Mode © Anton Corbijn
Music, ReviewsApril 10, 2023<April 30, 2023

Album Review: Shimmering Epiphanies in Depeche Mode’s ‘Memento Mori’

Nina Mučibabić (aka DJ Pink Palindrome) © Tajana Dedić-Starović
Interviews, MusicMarch 20, 2023<April 30, 2023

Interview: DJ Pink Palindrome Amidst the Sarajevo Music Scene

The Cure © Jan-Erik Eriksen 2022
Columns, Features, MusicMarch 2, 2023<April 30, 2023

Living The Cure, Pt. 4

The Cure © Alexander Trienitz, 2022
Columns, Features, MusicFebruary 23, 2023<February 23, 2023

Living The Cure, Pt. 3

The Cure © Jan-Erik Eriksen 2022
Columns, Features, MusicFebruary 16, 2023<February 16, 2023

Living The Cure, Pt. 2

Ghosts Again - Depeche Mode
Columns, Music, Today's SongFebruary 11, 2023<February 10, 2023

Today’s Song: The Sublime Reveal of Depeche Mode’s Joyfully Melancholic “Ghosts Again”

The Cure © Magali Girardin
Columns, Features, MusicFebruary 8, 2023<February 8, 2023

Living The Cure, Pt. 1

"Moonage Daydream" film poster
Film, Music, ReviewsOctober 12, 2022<October 12, 2022

Bowie’s Extraordinary Dream: A Review of the Film ‘Moonage Daydream’

Editors © Rahi Rezvani
Music, ReviewsSeptember 23, 2022<September 23, 2022

Potency & Emancipation: The Wonders of Editors’ 7th Album, ‘EBM’

Danna Paola © 2022
Columns, Music, Today's SongSeptember 22, 2022<September 22, 2022

Today’s Song: Danna Paola’s “XT4S1S” and the Ecstatic Ingenuity of Her Global Stage

Editors © Rahi Rezvani
Columns, Music, Today's SongSeptember 1, 2022<September 1, 2022

Today’s Song: The Intense Empowerment of Editors’ “Kiss”

Carla Morrison © Esteban Calderón
Music, ReviewsJuly 1, 2022<July 1, 2022

Carla Morrison Across Borders: A Review of ‘El Renacimiento’

Andy Fletcher
Editorials, MusicJune 20, 2022<June 20, 2022

In Memoriam: Tribute & Lament for Andy Fletcher, Depeche Mode

Posts pagination
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Recent Posts

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  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
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  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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