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James Crowley

James Crowley

James is a New York-based writer and comedian. Besides Atwood, he's also written for Sensations Press and his own blog Burgeraday.com. He hosts the comedy/music podcast James Crowley's Infinite Playlist. He also co-hosts the Burger-a-Day Podcast.

Cosmic Thrill Seekers
Music, ReviewsJune 26, 2019<June 26, 2019

Review: Prince Daddy & The Hyena Explore the Galaxy and Existence in ‘Cosmic Thrill Seekers’

John Van Deusen
Music, PremieresJune 20, 2019<June 20, 2019

Premiere: John Van Deusen Channels ’90s Indie Rock on “Social Sucker”

Bon Iver © Graham Tolbert And Crystal Quinn
Columns, Music, Today's SongJune 11, 2019<June 25, 2019

Today’s Song: Bon Iver Build a Storm and Shelter with “Hey, Ma”

Sub-Radio © Sub-Radio 2019
Music, PremieresMay 30, 2019<May 30, 2019

Premiere: Sub-Radio Let Memories Rush in with “Room For You”

Aaron West and The Roaring Twenties © Nolan Knight
Features, Interviews, MusicMay 23, 2019<May 23, 2019

Runnin’ Towards the Light: A Conversation with Dan Campbell

Craig Finn © Shervin Lainez
Columns, Music, Today's SongMay 17, 2019<June 5, 2019

Today’s Song: Craig Finn Confronts Strung Out Friends in “A Bathtub in the Kitchen”

Violet Crime © Alex Zarek
Music, Music Videos, PremieresMay 8, 2019<May 8, 2019

Premiere: Violet Crime’s “Heard You Like The Rolling Stones” Is a Self-Aware Love Song

The Mountain Goats © Jeremy Lange
Columns, Music, Today's SongMay 7, 2019<June 5, 2019

Today’s Song: The Mountain Goats Mystify Ozzy Osbourne in “Passaic 1975”

Spanish Love Songs © Kat Nijmeddin
Features, Interviews, MusicApril 26, 2019<April 26, 2019

Losers Forever: A Conversation with Spanish Love Songs

Son of Cloud © Julia Hembree
Music, Music Videos, PremieresApril 24, 2019<April 24, 2019

Premiere: Son of Cloud’s Romantic Lessons in “How to Love You Today”

American Football © Atiba Jefferson
Features, Interviews, MusicApril 16, 2019<April 30, 2019

Muscle Memory: An Interview with American Football

Figure Eight - Matt Lamourt-min
Music, PremieresApril 8, 2019<April 8, 2019

Premiere: Figure Eight’s “True Love” Is DIY Drama at Its Finest

Mike Mains & The Branches © Elijah VanDine
Features, Interviews, MusicApril 4, 2019<April 4, 2019

Coated in Sugar: A Conversation with Mike Mains & The Branches

Does Anybody Remember Laughter?April 1, 2019<April 3, 2019

Premiere: Pete Davidson’s “thank u, next” Cover Is All BDE

American Football LP3
Music, ReviewsMarch 22, 2019<March 22, 2019

Review: American Football Lay Their Emo Mythology to Rest with LP3

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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