Music, Our Take, Reviews November 8, 2018 November 8, 2018 Our Take: Logic Continues to Dazzle on Consistently Impressive ‘YSIV’
Music, Our Take, Reviews October 5, 2018 October 5, 2018 Our Take: With ‘Kamikaze’, Maybe Slim Shady Does Care What You Think, For Once?
Features, Music, Our Take, Reviews August 17, 2018 August 17, 2018 Our Take: The ‘Queen’ Reigns Supreme on Nicki Minaj’s Regal Fourth Offering
Music, Our Take, Reviews July 27, 2018 July 27, 2018 Our Take: Ever Enjoyable & Inventive, Gorillaz Returns with “The Now Now”
7.1 Music, Our Take, Reviews June 26, 2018 January 19, 2022 Our Take: Nas’ NASIR Proves a Palatable Rough Draft
Music, Premieres June 21, 2018 June 21, 2018 Premiere: Smoky Seduction in The Analog Affair’s Hazy “Monsters”
Premieres May 24, 2018 May 24, 2018 Premiere: Jordan Galland’s Many Talents Shine in “Down With Me” Video
Debut, Features, Music, Premieres April 20, 2018 April 20, 2018 Album Premiere: Take ‘The Trip’ with Lovecoast and Bask in a Soulful Heat
Music, Premieres March 29, 2018 March 29, 2018 Premiere: “Got to Believe” in Angela Josephine’s Folk Rock Talent
Music, Our Take, Reviews January 8, 2018 January 8, 2018 Our Take: Eminem’s ‘Revival’ Is Low on Highlights, High on Dubious Decisions
Columns, Music, Reviews, Today's Song November 27, 2017 November 27, 2017 Today’s Song: Eminem and Beyoncé’s “Walk on Water” Is Not Miraculous, but Still a Heartfelt Effort
Music, Our Take, Reviews November 21, 2017 November 21, 2017 Our Take: No More Oasis, No Worries for Liam Gallagher on ‘As You Were’
Music, Our Take, Reviews November 2, 2017 November 2, 2017 Our Take: Wyclef Jean Displays Heart and Expertise on ‘Carnival III’
Music, Our Take, Reviews September 28, 2017 September 28, 2017 Our Take: Vince Staples Avoids the Sophomore Slump with the Stunning ‘Big Fish Theory’
Music, Premieres September 14, 2017 September 14, 2017 Album Premiere: Church Girls Acknowledge the Trials of Everyday Life in ‘Hidalgo’
For the Love of Music
