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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Planet Giza © Igal Perets
Columns, Music, Today's SongFebruary 8, 2021<February 11, 2021

Today’s Song: Planet Giza Get Things Going with “When the Moving Stops”

AFSHeen © 2021
Interviews, MusicFebruary 4, 2021<February 3, 2021

Interview with AFSHeeN: An Electronica Expert Who’s Eager to Offer You Some ‘HAPPY TUNES’

inverness © Meg Meyer
Music, ReviewsFebruary 3, 2021<February 3, 2021

Review: Inverness, Anthony Russo, & Kang Daniel Conjure a Marvelous “State of Wonder” in the Studio

Essential Rap Songs that Celebrate the Fight for Black Liberation
Black History Month, Music, PlaylistsFebruary 1, 2021<August 30, 2021

Essential Rap Songs that Celebrate the Fight for Black Liberation

tunng © 2020
Interviews, MusicJanuary 11, 2021<January 11, 2021

Interview: You Can Find Tunng in Da ‘DEAD CLUB’

Snoop Dogg & Raff Pylon © 2020
Columns, Music, Today's SongJanuary 6, 2021<January 5, 2021

Today’s Song: Raff Pylon & Snoop Dogg Give Us a “Christmas in California” Worth Celebrating

Columns, Music, Today's SongDecember 23, 2020<December 23, 2020

Today’s Song: Nebraska Rapper JVCKJ Spins Heartbreak into Moving Music on “You Lie”

Man on the Moon III: The Chosen - Kid Cudi 7.9
Music, Our Take, ReviewsDecember 17, 2020<December 17, 2020

Our Take: Kid Cudi Crafts a Fitting Final Chapter to His Trilogy with ‘Man on the Moon III: The Chosen’

Good News - Megan Thee Stallion 7.7
Debut, Music, Our Take, ReviewsDecember 16, 2020<December 16, 2020

Our Take: Megan Thee Stallion Swiftly Claims Dominance in the Rap World on Debut LP, “Good News.”

Interviews, MusicDecember 14, 2020<December 14, 2020

Interview: Nané Is an Energetic Texas Group with One Album in the Bag & Sights Set on Further Ambitions

Columns, Interviews, MusicDecember 10, 2020<December 9, 2020

A Conversation with Nu Deco Ensemble: An Innovative Orchestra Making Waves in Miami

Debut, Interviews, MusicDecember 8, 2020<December 8, 2020

Interview with Terrell Morris: Hip-Hop Up-and-Comer Gets Musical & Vulnerable on Eclectic Debut ‘Lavender’

George Holliday © 2020
Interviews, MusicDecember 4, 2020<February 24, 2025

A Conversation with George Holliday: Friendships, Creative Ties, & Memorable Music All “Made on the Road”

Interviews, MusicNovember 19, 2020<November 19, 2020

Interview: Young, Ambitious Midwestern Singer Shi la Rosa Gears Up For Forthcoming EP

Clipping © Cristopher Cichocki 8
Music, Our Take, ReviewsNovember 17, 2020<December 15, 2020

Our Take: Clipping. Come Out Swinging & Unsettling on ‘Visions of Bodies Being Burned’

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Recent Posts

  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
  • Fresh Northern Rockers Florentenes Are Impassioned and Authentic on “Undiscovered Colours” June 18, 2026
  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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