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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Boogie Belgique © Monday Jr
Features, Interviews, MusicDecember 13, 2022<December 14, 2022

Interview with Boogie Belgique: A DJ Set Takes Orchestra Form, with Some Investigative Reporting Influence Tossed In

Kimbra © Spencer Ostrander
Features, Interviews, MusicOctober 28, 2022<March 11, 2023

Playing with Fire: Interview with Kimbra, a Creative Force Worthy of “A Reckoning”

BRUX © Dylan Reyes
Interviews, MusicOctober 3, 2022<October 3, 2022

Interview: BRUX Unleashes Her Inner ‘BADBOI’ on “Clubby, Heavy, & Urgent” New EP

Ayla D'lyla © Malina Weissman
Columns, Music, Today's SongSeptember 19, 2022<September 19, 2022

Today’s Song: Ayla D’Lyla Pens a Love Letter to the Catskills on “Anywhere But Here”

Nitti Gritty © Koury Angelo
MusicSeptember 14, 2022<September 13, 2022

Interview: Nitti Gritti Will “Drive You Crazy” with Summer Lovin’ & Nostalgia on New Collab with Dylan Matthew

Duo Jatekok © Tina Dubrovsky
Interviews, MusicSeptember 7, 2022<September 6, 2022

Interview: Duo Jatekok Deliver The Most Elegant Rammstein You’ve Ever Heard

Steven Malcolm © 2022
Columns, Music, Today's SongAugust 17, 2022<August 19, 2022

Today’s Song: How to Achieve a Scintillating “Summertime” with Steven Malcolm & Two Inspiring Guests

'Renaissance' Beyoncé © Carlijn Jacobs 9.3
Music, Our Take, ReviewsAugust 15, 2022<August 15, 2022

Our Take: The Queen Bee Beyoncé Stings Again on the Dazzling ‘Renaissance’

Kevin Holliday © Kisanet Bezabih
Interviews, MusicAugust 12, 2022<August 12, 2022

Interview: Brooklyn’s Kevin Holliday Pulls Musical Genres in & Pushes Romantic Feelings Out on New Single, “Out of Me”

Lupe Fiasco © 2022 7.6
Music, Our Take, ReviewsJuly 25, 2022<July 12, 2022

Our Take: Lupe Fiasco Goes Jazzy, Stays Provocative on ‘Drill Music in Zion’

Vinyl Days - Logic 8
Music, Our Take, ReviewsJuly 6, 2022<July 2, 2022

Our Take: Logic Quickly Cuts His Retirement Short with the Poppin’ ‘Vinyl Days’

Superpoze © François Quillacq
Interviews, MusicJuly 4, 2022<July 2, 2022

Piano, Philosophy, & Penmanship: A Conversation with French Artist Superpoze

Peach Tree Rascals © 2022
Columns, Music, Today's SongJune 15, 2022<June 15, 2022

Today’s Song: Peach Tree Rascals Offer Lots of “Good Advice” and Warmth on Latest Single

Mr. Morale & the Big Steppers - Kendrick Lamar © Renell Medrano 8.7
Music, Our Take, ReviewsMay 26, 2022<May 26, 2022

Our Take: Kendrick Lamar Emerges Gloriously from Hiatus on ‘Mr. Morale & the Big Steppers’

Pusha T © Def Jam Recordings 7.6
Music, Our Take, ReviewsMay 12, 2022<May 11, 2022

Our Take: Rapper Pusha T Scores Another Success with 4th LP ‘It’s Almost Dry’

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Recent Posts

  • Editor’s Picks 149: MEEK, Ray Bull, The Maine, Soda Blonde, Silverdeer, & Noshows! March 9, 2026
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  • “Dancing with the Sacred Wound”: Rosina Buck Reflects on Transforming Pain into Art for International Women’s Day March 8, 2026
  • “The Mercurial, Missing Music of Motherhood”: An Essay by Sailing Stones for International Women’s Day March 8, 2026
  • “Some Voices Do Not Fade”: The I AM PROUD Collective Honors Sojourner Truth’s Enduring Legacy for International Women’s Day March 8, 2026
  • John-Robert’s “Anna” Brings Back the Art of Crushing – and the Thrill That Comes With It March 8, 2026
  • Today’s Song: Desert Collider Summon the Sandworm on “ThumpeRRR” March 7, 2026
  • “We Live, We Learn, We Love”: David Keenan on Irish Storytelling, Belonging, and the Human Struggle Behind ‘Modern Mythologies’ March 6, 2026
  • “Am I the problem?:” Dogpark Break Down Industry Pressure and the World Behind ‘Corporate Pudding’ March 6, 2026
  • “I’m First and Foremost a Traveler”: Gabi Hartmann’s Mesmerizing Voice Carries Wonder, Fragility, and a World of Sound March 6, 2026
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