• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Kelly McCafferty Dorogy

Kelly McCafferty Dorogy

Kelly has been with Atwood since its earliest days in 2014. She is originally from Pittsburgh, PA, now based in New Orleans, LA and has been singing, writing, playing guitar and piano for almost all of her life. Music drives everything she does. She brings her unique perspective with each piece, always open to discovering something or someone new.

Gracie Abrams live © Joey Brodnax
Concerts, Music, ReviewsMarch 29, 2023<April 30, 2023

Lightning in a Bottle: Gracie Abrams, Live from Austin

Aidan Bissett © Brooke James
Debut, Features, Interviews, MusicDecember 12, 2022<December 12, 2022

Interview: Aidan Bissett Discusses His Fun, Fiery & Heartfelt Debut EP ‘I’m Alright If You’re OK’

Vivi Rincon © Lucy Ketchum
Columns, Music, Today's SongSeptember 12, 2022<September 12, 2022

Today’s Song: Love & Lust in Vivi Rincon’s “can’t breathe”

Get a Job - Games We Play
Columns, Music, Today's SongSeptember 5, 2022<May 24, 2024

Today’s Song: Games We Play Delivers a Rebel Anthem with “Get a Job”

MisterWives © Matty Vogel
Columns, Music, Today's SongAugust 31, 2022<August 31, 2022

Today’s Song: Reveling in MisterWives’ Cathartic and Catchy “Wrongside”

CAAMP © Sophia Matinazad
Features, Interviews, MusicAugust 25, 2022<August 25, 2022

Interview: Enjoying the ‘Lavender Days’ with Ohio’s Caamp

Maisie Peters © Sonny McCartney
Columns, Music, Today's SongAugust 18, 2022<September 29, 2022

Conflict Breeds Confidence with Maisie Peters’ “Good Enough” & “Blonde”

Little Fuss © Tori Spadaro
Music, Music Videos, PremieresJuly 6, 2022<July 6, 2022

Premiere: Little Fuss’ Dreamy & Energetic “20 Questions”

Marilyn Hucek © 2022
Columns, Music, Today's SongJune 2, 2022<June 2, 2022

Today’s Song: Marilyn Hucek Empowers Women with “Boy Drama”

Brynn Cartelli © Elinor Kry
Columns, Music, Today's SongMay 27, 2022<May 27, 2022

Today’s Song: Brynn Cartelli Shines with Dreamy Pop Anthem “Gemini”

Andrew Combs © Alysse Gafkjen
Music, PremieresMay 23, 2022<May 23, 2022

Premiere: Singer/Songwriter Andrew Combs Finds Grace with “(God)less”

Maisie Peters © Erik Rojas
Columns, Music, Today's SongMay 6, 2022<May 6, 2022

Maisie Peters’ Song of the Summer, “Cate’s Brother”

Johnnyswim © Chloe Enos
Features, Interviews, MusicApril 8, 2022<April 30, 2024

Dreaming Big & Celebrating the Mundane: Johnnyswim Dive into Their Eponymous 4th Album

The Lumineers' Wesley Schultz (right) and Jeremiah Fraites (left) © Danny Clinch
Features, Interviews, MusicJanuary 13, 2022<March 7, 2023

A Thesis of Heat: The Lumineers Dive into Hopeful & Cathartic 4th Album ‘BRIGHTSIDE’

MisterWives © 2021
Columns, Music, Today's SongDecember 20, 2021<August 31, 2022

Today’s Song: MisterWives Triumph with Resilient Independent Single “Stepped on a Bee” and The Best Live Show You’ll See

Posts pagination
1 2 3 4 5 … 12

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services