• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Lindsay Call

Lindsay Call

Lindsay has crowned herself Writer and Managing Editor Emeritus at Atwood Magazine, which basically means she doesn't write here actively anymore except on special occasions. You can typically find her reading any book, ever, drinking tea, or happily losing herself in an art museum.

Curli. © Curli.
Debut, Music, PremieresMay 2, 2019<March 2, 2025

Premiere: Curli. Makes a Splash in Debut Single “worth”

Who is Your White Guy Indie Icon Spirit Animal? Graphic © the author
Does Anybody Remember Laughter?April 1, 2019<April 25, 2024

Quiz: Which White Guy Indie Icon Are You?

Sorry lyric video screenshot © 2019
Does Anybody Remember Laughter?April 1, 2019<April 1, 2019

Breaking: Local Woman Confirms It Is, In Fact, Too Late Now To Say Sorry

Screenshot from Peace Playing 1998 On A Roof © 2019
Editorials, MusicJanuary 30, 2019<January 30, 2019

A Dumpster of Thoughts on Writing, Music, and Peace Playing “1998” on a Roof

Black Honey © Harriet Brown
Debut, Music, Reviews, Track-by-TrackNovember 12, 2018<November 12, 2018

Living in a Movie: A Track-by-Track Review of Black Honey’s Debut Album

Cosmic Strip © Charlotte Patmore
Debut, Interviews, Music, ReviewsSeptember 25, 2018<September 25, 2018

Dreaming in Another Dimension: A Conversation with Cosmic Strip

Black Honey © Lauren Maccabee
Music, Reviews, This Just InAugust 6, 2018<August 6, 2018

This Just In: Disco Lives Forever in Black Honey’s “Midnight”

Royal Oak © Mackenzie Cholowski
Features, Music, PremieresJuly 16, 2018<July 16, 2018

EP Premiere: Craft and Making Believe Go Hand-In-Hand in Royal Oak’s ‘Pretend’

Summer Twins © Chelsey Croucher
Columns, Music, Today's SongJune 19, 2018<June 18, 2018

Today’s Song: Step Inside a Dream with Summer Twins’ Hazy Ballad “Dream Girl”

War Violet © Lissette Emma
Music, PremieresMay 22, 2018<May 29, 2018

Premiere: War Violet’s Dreamy “Getaway” Transports Us to Sweet Summertime

Annabel Allum © Lieven Bulckens)
Features, Interviews, MusicMay 8, 2018<May 7, 2018

New Music, Dogs, & ‘Bits and Bobs’: Catching Up with Annabel Allum

The Academic © Sam Hiscox
Debut, Features, Interviews, MusicApril 25, 2018<April 25, 2018

Interview with The Academic: Tales of Touring, Songwriting & Connection

Phillip-Michael Scales © Victoria Sanders
Music, Music Videos, PremieresApril 13, 2018<April 12, 2018

Premiere: Phillip-Michael Scales’ “Lover, Let Me Be” Explores Tangled Relationships and Moral Ambiguities

Bloodboy © Kristy Benjamin
Music, Reviews, This Just InMarch 30, 2018<March 30, 2018

This Just In: Bloodboy’s “Is Now a Good Time to Ruin Your Life?” Is an Anthem for Us All

Plutomania - Lavender Child
Music, Music Videos, PremieresMarch 27, 2018<March 27, 2018

Video Premiere: Lavender Child’s “Plutomania” Tells a Hauntingly Beautiful Cautionary Tale

Posts pagination
1 2 3 … 5

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services