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Lindsay Call

Lindsay Call

Lindsay has crowned herself Writer and Managing Editor Emeritus at Atwood Magazine, which basically means she doesn't write here actively anymore except on special occasions. You can typically find her reading any book, ever, drinking tea, or happily losing herself in an art museum.

Mise en Scene © Jesse DeFlorio
Features, Interviews, MusicJune 30, 2017<July 3, 2017

Alive and On Fire: A Conversation with Mise en Scene

Rosechild © JH
Music, Music Videos, PremieresJune 16, 2017<June 16, 2017

Premiere: Take a Journey with Rosechild out of “West LA”

Black Honey © Charlotte Patmore
Features, Interviews, MusicJune 5, 2017<June 5, 2017

The Joys of Creating and Being “Perfect Weirdos”: An Interview with Black Honey

Mountains Like Wax © Nolan Knight
Music, PremieresJune 2, 2017<June 2, 2017

Premiere: Mountains Like Wax Wrestle with the Gray Areas in “(a) Rest”

Lucy - Nihla
Music, PremieresMay 19, 2017<May 19, 2017

Premiere: Nihla’s “Lucy” Tells a Story of Hard Life & Haunting in Los Angeles

Columns, Music, Today's SongMay 16, 2017<May 16, 2017

Today’s Song: Loud, (Almost) Live & Loving It – Estrons’ “Strobe Lights”

RECREATION. © Cole Erickson
Music, PremieresMay 1, 2017<June 20, 2024

Premiere: Growing Up & Letting Go in RECREATION.’s “Surely a Vapor”

bedbugs © Samantha Prasopthum
Music, PremieresApril 24, 2017<April 24, 2017

Premiere: Joy & Wonder Make bedbugs’ “Not Complaining” a Perfect Testament to Modern Love

Annabel Allum © Rob Blackham
Interviews, MusicApril 18, 2017<April 18, 2017

Creating, Rebelling, & Just ‘Doing Everything’: A Conversation with Annabel Allum

Luxury Death © 2016
Music, ReviewsApril 7, 2017<April 7, 2017

Review: Indulge in the Contrasts of Luxury Death’s ‘Glue’

Concerts, FestivalApril 1, 2017<April 1, 2017

DeMarco & Sufjan To Finally Duke It Out At CoaCHILLa

Screenshot from Rosie Carney's acoustic video for "Awake Me"
Music, Music Videos, PremieresMarch 31, 2017<January 30, 2019

Video Premiere: Understated Mastery in Rosie Carney’s “Awake Me” (Acoustic)

The Dead Sailor Girls © Jay Blakesburg
Music, PremieresMarch 23, 2017<March 23, 2017

Premiere: Get Down (with the Deep Blue Sea) in The Dead Sailor Girls’ “Dance of the Broken Heart”

The Vryll Society © Sophia Duff
Interviews, MusicMarch 15, 2017<March 15, 2017

Finding the Perfect Rhythm: A Conversation with The Vryll Society

Nadia Reid © Ebony Lamb
Columns, Music, Today's SongFebruary 23, 2017<February 23, 2017

Today’s Song: The Haunting Power of Nadia Reid’s “Richard”

Posts pagination
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Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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