• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Maggie McHale

Maggie McHale

Maggie is a writer for Atwood Magazine, currently living in Philadelphia. She also works as a music manager and cultural liaison via her management company, PBG MGMT. She is heavily involved in the arts and music scene in the City of Brotherly Love, working previously for as a digital marketer for Fame House, a Universal Music Group subsidiary, and as a staff writer for JUMP Magazine. A self-proclaimed “hug enthusiast” and dog lover, Maggie also enjoys fashion, travel, the paranormal, and drinking way too much coffee.

Chet Faker © Jelani Roberts
Features, Interviews, MusicAugust 10, 2021<August 10, 2021

Interview with Chet Faker (Nick Murphy): Following Instinct and Finding the Joy in Music

SYCCO © Brianna Da Silva
Music, PremieresMay 20, 2021<May 20, 2021

Premiere: Brisbane’s Sycco Exudes Glittering Confidence in “Time’s Up”

Ashlynn Malia
Music, Music Videos, PremieresApril 6, 2021<April 6, 2021

Premiere: Ashlynn Malia Offers Solidarity in Solitude with “open”

Sam Cooke © Wally Seawell, 1963
Columns, Music, Nostalgia TracksMarch 26, 2021<March 26, 2021

Nostalgia Tracks: The Evergreen Optimism of Sam Cooke’s “A Change Is Gonna Come”

Debut, Music, ReviewsDecember 18, 2020<December 18, 2020

Review: B.Miles Navigates Nostalgia on Debut ‘In Order of Appearance’

Music, This Just InDecember 11, 2020<December 11, 2020

This Just In: Luxtides Copes with Anxiety and Uncertainty in “After”

Music, ReviewsNovember 16, 2020<November 16, 2020

Review: James Blake Harkens Back to His Roots in ‘Before’ EP

Columns, Music, This Just InOctober 16, 2020<October 16, 2020

This Just In: Young Rising Sons Characterize Human Relationships and Memories in “Halloween”

Columns, Music, Today's SongSeptember 24, 2020<September 23, 2020

Today’s Song: TENDER Leave Their Hearts on the Line in “Own Up”

Interviews, MusicAugust 31, 2020<August 31, 2020

Interview with Windser: Chasing Nostalgia & Finding What Was Missing

Columns, Music, This Just In, Today's SongAugust 20, 2020<September 4, 2020

This Just In: Palmas Welcome the Novelty of the Unknown in “Holy Ground”

Interviews, MusicAugust 7, 2020<August 9, 2020

Interview with Nat and Alex Wolff: “Glue,” Ghosts, and a Good Dose of Brotherly Love

Music, ReviewsJuly 13, 2020<July 11, 2020

Review: Remi Wolf Is Whimsically Heartwarming in ‘I’m Allergic to Dogs!’ EP

PHANGS
Music, This Just InJune 26, 2020<June 26, 2020

This Just In: “When I’m All Alone” Celebrates PHANGS in the Glory of Solitude

harley © 2020
Features, Interviews, Music, PremieresMay 26, 2020<May 26, 2020

Premiere: Seattle’s HARLEY Illustrate Navigating Heartsickness on “HYPNOS”

Posts pagination
1 2 3 … 10

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services