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Michael Greco

Michael Greco

Michael is a self-professed music festival junkie and correspondent based out of the greater Philadelphia area and works in media finance. If not traveling to festivals, he can usually be found (or not found) in the backcountry of America's national parks on backpacking and rock climbing trips or continuing to learn to play guitar, poorly. "Music can uncomplicate anything."

Izzy Escobar © Michael Greco
Interviews, MusicNovember 14, 2025<November 14, 2025

“I’m Just Writing What Feels Real”: Izzy Escobar Shines With Honest, Heartfelt Pop on ‘Sunny in London’ EP

Dua Lipa at Mad Cool 2024 © Michael Greco
Concerts, Festival, Music, ReviewsJuly 23, 2024<July 23, 2024

Review: Recapping 2024’s Mad Cool Festival in All Its Splendor

Primavera Sound 2024 Created in Barcelona © Christian Bertrand
Festival, Music, ReviewsJune 13, 2024<June 13, 2024

Review: Vibrant Spanish Culture Meets Musical Diversity at Primavera Sound Barcelona 2024

Frank Turner © Shannon Shumaker
Features, Interviews, MusicMay 2, 2024<May 2, 2024

“It’s kind of liberating”: Frank Turner Is ‘Undefeated’ on His Enthralling Tenth Studio Album

Nothing But Thieves © Beatriz Oliveira
Features, Interviews, MusicSeptember 27, 2023<September 27, 2023

Interview: Nothing But Thieves’ Upward Trajectory Is Without Limits

K.Flay © Danielle Ernst
Features, Interviews, MusicSeptember 14, 2023<September 14, 2023

Interview: K.Flay Reflects on Her Triumphant New Album, ‘MONO’

Oceans Calling Festival 2023
Festival, Music, PreviewsAugust 8, 2023<August 8, 2023

Preview: Oceans Calling Festival Reboots for 2023!

Mad Cool 2023 © Michael Greco
Festival, Music, ReviewsJuly 27, 2023<July 27, 2023

Review: Madrid’s 2023 Mad Cool Festival Flourishes in a New Venue

Portugal. The Man © Michael Greco
MusicJuly 6, 2023<July 6, 2023

Festival Review: Tennessee Heat Boils Over at Bonnaroo 2023

Michael Greco
Columns, Meet Our WritersJune 11, 2023<June 11, 2023

Meet Our Writers: Philadelphia’s Michael Greco!

Andrew McMahon in the Wilderness © Lindsey Byrnes
Features, Interviews, MusicApril 13, 2023<April 30, 2023

Interview: Andrew McMahon Sets the Bar for Musical Storytelling with ‘Tilt At The Wind No More’

Mannequin Pussy © Phobymo
Features, Interviews, MusicDecember 15, 2022<December 15, 2022

“There’s no better time to be in a punk band”: Mannequin Pussy’s Marisa Dabice Talks Generational Anger, Music, & More

Jagwar Twin © Josh Hubberman
Features, Interviews, MusicNovember 9, 2022<November 5, 2022

Interview: LA’s Own Jagwar Twin Breaks New Ground on Sophomore Album ‘33’

Daisy the Great © Kristen Jan Wong
Features, Interviews, MusicOctober 20, 2022<October 20, 2022

Interview: Daisy the Great Explore the Size of Their Sound with Sophomore Album ‘All You Need Is Time’

Ship Wrek © Zach Scheibel
Interviews, MusicOctober 18, 2022<October 18, 2022

Interview: LA Duo Ship Wrek Discuss Touring, Collaborations, and New EP ‘Metaphysical’

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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