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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Harrison Whitford © Zack Whitford
Features, Music, Reviews, Track-by-TrackDecember 9, 2021<August 3, 2022

‘Afraid of Nothing’: Inside Harrison Whitford’s Achingly Intimate & Radiantly Raw Sophomore LP

Mumble Tide
Debut, Features, Music, Reviews, Track-by-TrackDecember 9, 2021<December 10, 2021

Finding Beauty in ‘Everything Ugly’: Inside Mumble Tide’s “Scrappy, Honest, & Frustrated” Mini-Album

Alex Lahey © Nick Mckk
Columns, Music, Today's SongDecember 9, 2021<December 9, 2021

Today’s Song: Alex Lahey’s Searing, Stunning “Spike the Punch” Hits Hard and Leaves a Mark

Rén with the Mane
Interviews, Music, Music Videos, PremieresDecember 9, 2021<December 9, 2021

Interview: Brooklyn’s Rén with the Mane on Her Alluring “Short Skirts” Video & Passionate New EP

Ok Cowgirl © Rita Iovine
Artist to Watch, Debut, Features, Music, Reviews, Track-by-TrackDecember 8, 2021<February 26, 2022

“Dream-Rock, Baby”: Brooklyn’s Ok Cowgirl Put Feelings First on Stunning Debut EP ‘Not My First Rodeo’

Row Me Away - Leo Sawikin
Debut, Features, Music, Reviews, Track-by-TrackDecember 8, 2021<December 8, 2021

“Bittersweet, Pre-Dystopian, Longing”: Inside Leo Sawikin’s Dramatic Solo Debut, ‘Row Me Away’

Emily Blue © Kirsten Barnett
Artist to Watch, Columns, Music, Today's SongDecember 8, 2021<December 8, 2021

Artist to Watch: Emily Blue’s “The Afterlove” Is a Radiant Kiss of Intimate Brooding & Pop Magic

Zach Kleisinger © Stephanie Lynch
Music, ReviewsDecember 2, 2021<December 2, 2021

The Intimate Beauty of Singer/Songwriter Zach Kleisinger’s “Dance for a While” & Debut Album ‘Their Symposium’

Cold Weather Company © Jeremy Berkowitz
Features, Music, Reviews, Track-by-TrackDecember 1, 2021<December 7, 2021

“Parts Becoming Whole”: Inside Cold Weather Company’s Cinematic & Wondrous 4th Album ‘Coalescence’

Taloula © Alexadra Waespi
Columns, Music, Today's SongDecember 1, 2021<December 1, 2021

Today’s Song: Taloula’s Tender “Find My Way” Is an Achingly Intimate Eruption

Maxwell Planes © 2021
Music, PremieresDecember 1, 2021<December 1, 2021

Premiere: Chicago’s Maxwell Planes Smolders on “Gave My Everything” ft. Melanie Faye & Ric Wilson

Theodore © 2021
Music, PremieresDecember 1, 2021<December 1, 2021

Premiere: Theodore Debuts Urgent, Hypnotic, & Cinematic Single “Man and His Tools” Off 4th Album ‘The Voyage’

Kenneth Ishak © Julia Naglestad
Features, Music, Reviews, Track-by-TrackNovember 30, 2021<December 1, 2021

“Positive, Specific, & Green”: Norway’s Kenneth Ishak Blooms in Dazzling ‘Native Tongue’

Francis Karel © Brittany O'Brien
Columns, Music, Today's SongNovember 30, 2021<November 30, 2021

Today’s Song: Love Hits Like a Wrecking Ball in Francis Karel’s “I Don’t Like How Much I Like You”

Mother Mother © Rich Smith
Features, Music, Reviews, Track-by-TrackNovember 29, 2021<December 7, 2021

“Introspective, Human, & Hopeful”: Mother Mother Dive ‘INSIDE’ Their Intimate, Raw 8th Album

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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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