• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Shovels & Rope © Leslie Ryan McKellar
Features, Music, Reviews, Track-by-TrackMarch 1, 2022<March 1, 2022

Track-by-Track: Shovels & Rope Dive into the Raw Reeling of ‘Manticore’

The Sherlocks © 2022
Features, Music, Reviews, Track-by-TrackMarch 1, 2022<March 1, 2022

Track-by-Track: The Sherlocks Stun & Soar on Anthemic, Spirited LP ‘World I Understand’

Asha Maclean © Amadeus Purcell
Music, Music Videos, PremieresMarch 1, 2022<March 1, 2022

Video Premiere: NYC’s Asha Maclean Pours Her Heart Out in Empowering “Serial F Boy” (Acoustic Version)

Similar Kind © Tom Stewart
Music, PremieresFebruary 28, 2022<February 28, 2022

Premiere: Dancing in the Beautiful Depths of Similar Kind’s Buoyant & Bold “I Don’t Wanna Fight Anymore”

Dust In The Sunlight © Rob Humm
Columns, Music, Today's SongFebruary 28, 2022<February 28, 2022

Today’s Song: Dust in the Sunlight Shine with “Former Lives,” an Anchor of Escape & Rediscovery

Under the Rug © 2022
Features, Music, Reviews, Track-by-TrackFebruary 25, 2022<February 25, 2022

“Salty, Colorful, & Intricate”: Under the Rug’s Aching ‘Dear Adeline’ Is a Record of Reckoning & Perseverance

June Road © Charlene van Hall
Columns, Debut, Music, Today's SongFebruary 25, 2022<February 25, 2022

Today’s Song: June Road “Seize the Day” on Captivating, Spirited Indie Folk Debut

Liam Benzvi © 2022
Debut, Features, Music, Reviews, Track-by-TrackFebruary 24, 2022<February 24, 2022

“Swell, Hum, & Oops”: Liam Benzvi Charms with Dynamic & Dazzling Debut Album ‘Acts of Service’

Molly Burman © Sarah Beshiri
Music, PremieresFebruary 24, 2022<February 24, 2022

Premiere: Molly Burman Confronts Perfection on Beautiful, Empowered & Liberating “Pretty Girl”

Andy Zipf © Shervin Lainez
Music, PremieresFebruary 24, 2022<February 24, 2022

Premiere: Inside Andy Zipf’s Tranquil & Stirring New Single, “Did You Know I Was A Ghost?”

Grow This Garden - For Tuesday, Emorie
Columns, Music, Today's SongFebruary 23, 2022<February 23, 2022

Today’s Song: For Tuesday & Emorie Evoke Quiet Indie Folk Wonder in “Grow This Garden”

Lawrence live in NYC © Deanie Chen
Features, Music, Reviews, Track-by-TrackFebruary 23, 2022<February 23, 2022

Track-by-Track: Lawrence’s ‘Hotel TV’ Is an Epic, Quirky & Soulful Soundtrack to Everyday Living

Melody Federer © 2022
Music, PremieresFebruary 23, 2022<February 23, 2022

Premiere: The Tender, Heartwrenching Ache of Melody Federer’s “Sometimes I Cry”

Erisy Watt © Hannah Garrett
Music, PremieresFebruary 22, 2022<February 22, 2022

Premiere: Singer/Songwriter Erisy Watt’s “Big Sky” Relishes the Warm Bliss of Freedom

Jared Lindbloom © Marcus Middleton
Music, PremieresFebruary 22, 2022<April 13, 2022

Premiere: Pink Honey Moan’s Dynamic “Make Believe” Is a Song of Truth, Layers, & Understanding

Posts pagination
1 … 110 111 112 113 114 … 301

Recent Posts

  • Editor’s Picks 154: Borderline, Fiona-Lee, verygently, Adrian Lyles, Winyah, & Kat Cunning! May 8, 2026
  • Atwood Magazine’s Weekly Roundup: May 8, 2026 May 8, 2026
  • Roundtable Discussion: A Review of BTS’ ‘ARIRANG’ May 8, 2026
  • “We’ve Been Alone in This Long Enough”: An Essay by Aubrie Sellers May 8, 2026
  • Daniel Arison Turns Emotional Whiplash into Something Deeply Personal on “Sad” May 8, 2026
  • “Taking Pictures I Can’t Wait to Show You”: Zach Seabaugh Offers a Heartfelt Ballad of Love, Distance, & Devotion with “I Am Only Ever Thinking About You” May 7, 2026
  • “It’s Like I Went from Black and White to Color”: The Head and The Heart on 15 Years of Harmony, Friendship, & Open Roads May 7, 2026
  • Swallowing the Sky Whole: Beatrix’s Gorgeous Reckoning with Love and Loss May 7, 2026
  • “Take the Wheel. Take a Breath. Take Heart”: Jon Bryant and Rose Betts Shine on “Take Heart,” a Breathtaking Folk Reverie of Healing, Presence, & Brotherly Love May 7, 2026
  • Annabelle Dinda Dazzles Boston’s Brighton Music Hall with a Triumphant Kickoff to Her Sold-Out Headline Tour May 6, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services