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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Evan Veasey © Tori Essex
Debut, Features, Music, Premieres, Track-by-TrackMay 4, 2022<May 4, 2022

“Let Yourself Feel”: Singer/Songwriter Evan Veasey Premieres His Intimate & Vulnerable Debut Album, ‘Don’t Cry’

Atwood Magazine's Editor's Picks 62
Columns, Editor's Picks, Features, MusicMay 4, 2022<May 4, 2022

Editor’s Picks 62: Poppy Ajudha, Purr, beabadoobee, Maria Chiara Argirò, Joel Jerome, & Noah Slee!

POP ETC © Alex Welsh
Columns, Music, Today's SongMay 4, 2022<May 4, 2022

POP ETC Navigate the Past & Present on “Slips Away,” a Radiant Song of Reckoning & Reflection

Fortunate Ones © Adam Hefferman
Music, PremieresMay 4, 2022<May 4, 2022

“A four-minute lifetime”: Fortunate Ones’ Beautifully Tender Love Song, “Anchor”

Good Looks © John Bergin
Debut, Features, Interviews, Music, Track-by-TrackMay 4, 2022<May 5, 2022

Basking in ‘Bummer Year’: Austin’s Good Looks Dive into Their Honest & Spirited Debut Album

The Last Broadcast © Victoria Dalston 1
Columns, Music, Today's SongMay 3, 2022<May 3, 2022

Today’s Song: The Last Broadcast “Dissolve” into Nature’s Wonder on Stunning Sophomore Single

Night Palace © Maggy Swain
Debut, Features, Interviews, Music, Track-by-TrackMay 3, 2022<May 5, 2022

“Mythical Ocean Music”: Inside Night Palace’s Captivating Debut Album ‘Diving Rings’

Me and the Moon © Felix Bartlett
Music, PremieresMay 3, 2022<May 3, 2022

Premiere: London’s Me and the Moon Slow Down & Soak Up Life’s Beauty in Radiant “Fast Lane”

The Good Love © 2022
Music, PremieresMay 2, 2022<May 2, 2022

Premiere: The Good Love’s Radiant “Sunshine Sometime” Is a Sweet, Seductive Love Song for All

Memorial © Sequoia Ziff
Debut, Features, Track-by-TrackMay 2, 2022<May 2, 2022

“Hopeful, Honest & Warm”: Brighton’s Memorial Dive Inside Their Heartfelt, Stirring Debut Album

Alex Porat © Patrick Ryder
Columns, Music, Today's SongMay 2, 2022<May 2, 2022

Today’s Song: Alex Porat’s “Pity Party” Is an Unapologetic Anthem of Release & Self-Empowerment

Frontperson © Steve Calder & Eva Blue
Features, Interviews, Music, Track-by-TrackApril 29, 2022<April 29, 2022

Feature: Frontperson Revel in the Springy, Chaotic, & Vibrant Wonder of Sophomore LP ‘Parade’

Market © Ebru Yildiz
Debut, Features, Interviews, Music, Track-by-TrackApril 29, 2022<April 29, 2022

“Anxiety, Comedy, & Family”: Market’s Charged & Charming New Album, ‘The Consistent Brutal Bullshit Gong’

sister. © Jon Merlino
Columns, Music, Today's SongApril 28, 2022<April 28, 2022

Brooklyn Band sister.’s Visceral “Space Force” Is a Beautiful Crashing Satellite in Song

Gabríel Ólafs © Vidar Logi
Music, PremieresApril 28, 2022<April 28, 2022

Premiere: Icelandic Composer Gabríel Ólafs Stirs the Soul with Achingly Beautiful “The Drifter”

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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