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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Geographer © Monica Reyes
Music, Music Videos, PremieresSeptember 13, 2021<November 16, 2021

Premiere: Geographer’s Exhilarating, Cinematic “Alibi” and the Wonder of Love

ella jane © 2021
Features, Music, Reviews, Track-by-TrackSeptember 10, 2021<September 10, 2021

“Nostalgic, Visceral, & Electric”: Inside ella jane’s Stunning Debut EP ‘THIS IS NOT WHAT IT LOOKS LIKE!’

To Bloom - Erez Zobary © Teaunna Gray
Features, Music, Reviews, Track-by-TrackSeptember 9, 2021<September 10, 2021

Feature: Toronto’s Erez Zobary Dives into Her Beautifully Intimate & Radiant ‘To Bloom’

Mercury Retrograde - Sonia Stein
Music, PremieresSeptember 9, 2021<September 9, 2021

Premiere: Sonia Stein’s Intimate, Sweet & Smoldering Groove “Mercury Retrograde”

Mo Lowda & The Humble © Lauren Fithian
Music, PremieresSeptember 8, 2021<August 23, 2022

Premiere: Mo Lowda & The Humble’s “Snowbird” Is a Sweetly Soaring Triumph

Walk the Moon (from L to R): Eli Maiman, Nicholas Petricca, and Sean Waugaman
Features, Interviews, MusicSeptember 8, 2021<February 7, 2022

“A Happy Mess of Things”: Walk the Moon Preview New LP ‘Heights’ with Songs of Perseverance, Love, & Inner Light

Real Topeka People
Music, ReviewsSeptember 8, 2021<September 8, 2021

Real Topeka People’s Tender “STL” Is a Heartfelt Hometown Love Letter

Ailsa Tully © 2021
Music, Reviews, Track-by-TrackSeptember 3, 2021<September 3, 2021

“Achy, Reflection, Tension”: Inside Ailsa Tully’s Gently Kaleidoscopic ‘Holy Isle’ EP

Atwood Magazine Editor's Picks 51
Columns, Editor's Picks, Features, MusicSeptember 2, 2021<October 5, 2021

Editor’s Picks 51: Little Simz, Fantastic Cat, Sister., Bleach Lab, Hannes & Billie Flynn

Gold Star © Robert Ascroft
Features, Music, Premieres, Reviews, Track-by-TrackSeptember 1, 2021<September 1, 2021

EP Premiere: Gold Star Dives into His Dynamic, Vulnerable & Candid ‘Headlights U.S.A.’

leave a light on - Keir, Fenne Lily
Interviews, MusicSeptember 1, 2021<September 1, 2021

Interview: Keir & Fenne Lily “leave a light on” in a Song of Heartache, Longing, Love & Friendship

Alternate Endings - Snowy Band
Track-by-TrackAugust 31, 2021<August 31, 2021

“Equal parts functional and abstract”: Melbourne’s Snowy Band Embraces Space & Sound on Sophomore LP ‘Alternate Endings’

Pressure Machine - The Killers 9.7
Music, Our Take, ReviewsAugust 31, 2021<February 7, 2022

Our Take: The Killers’ Devastatingly Beautiful, Bittersweet & Breathtaking ‘Pressure Machine’

Hiss Golden Messenger's M.C. Taylor © Chris Frisina
Features, Interviews, MusicAugust 30, 2021<September 3, 2021

Interview: Hiss Golden Messenger’s Intimate ‘Quietly Blowing It’ Finds Beauty in Fracture, Redemption, Turmoil, & Strength

Soft Focus - Hotel Fiction
Debut, Features, Music, Reviews, Track-by-TrackAugust 30, 2021<August 31, 2021

“Nostalgic, Hopeful, Dynamic”: Hotel Fiction Revel & Reflect in Dazzling Debut Album ‘Soft Focus’

Posts pagination
1 … 116 117 118 119 120 … 293

Recent Posts

  • Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan! January 15, 2026
  • “A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress” January 15, 2026
  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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