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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Franklin Electric © Levi Zortman
Features, Music, Reviews, Track-by-TrackSeptember 28, 2021<September 28, 2021

“Honest Raw Healing”: Inside The Franklin Electric’s Beautifully Vulnerable ‘This Time I See It’

Glenn Echo © Ariana Dixon
Music, PremieresSeptember 28, 2021<September 27, 2021

Premiere: Embracing Vulnerability with Glenn Echo’s Soft & Stirring Alt-Folk Protest Song, “How Much Blood”

FLOWVERS © Indy Brewer
Columns, Music, Today's SongSeptember 28, 2021<September 28, 2021

Today’s Song: FLOWVERS Return with Soaring & Searing Single “Far Away”

Fime © Eleanor Petry
Columns, Music, Today's SongSeptember 27, 2021<September 27, 2021

Today’s Song: LA’s Fime Weave a World of Lush, Sweet Indie Rock Wonder in “Born 2 Love”

Glass Heart String Choir © Ryan J. Salva
Music, PremieresSeptember 27, 2021<September 27, 2021

Premiere: Glass Heart String Choir’s Bittersweet & Achingly Vulnerable “Wounds”

Wayne Snow © Kiroubel Beaujour
Features, Interviews, MusicSeptember 24, 2021<September 27, 2021

Interview: WAYNE SNOW on Identity, Facades, and His Smoldering Sophomore LP ‘Figurine’

Frames © 2021
Debut, Features, Music, Reviews, Track-by-TrackSeptember 24, 2021<September 24, 2021

Track-by-Track: Frames’ Heartfelt & Hard-Hitting Debut Album ‘Every Room’

Everything's Waiting for You - Tom Speight
Features, Music, Reviews, Track-by-TrackSeptember 24, 2021<September 24, 2021

Feature: Tom Speight Captures Life’s Beauty & Wonder in Sophomore LP ‘Everything’s Waiting for You’

Merpire © Nick Mckk
Debut, Features, Music, Reviews, Track-by-TrackSeptember 23, 2021<September 23, 2021

A Diary and a Daydream: Inside Merpire’s Stunning Debut Album ‘Simulation Ride’

Robert Ellis Orrall © Ricardo Fernandez
Features, Interviews, MusicSeptember 23, 2021<September 27, 2021

Interview: Robert Ellis Orrall’s ‘467 Surf and Gun Club’, a Portrait of a Musician’s Heaven

MarthaGunn © 2021 9.1
Debut, Features, Music, Reviews, Track-by-TrackSeptember 23, 2021<November 4, 2021

Feature: MarthaGunn Shine on Vulnerable, Confident, & Reflective Debut Album ‘Something Good Will Happen’

Vacances © Todd Schmiedlin
Music, PremieresSeptember 23, 2021<September 29, 2021

Premiere: Vacances’ Buoyant New Single “Love Collapse” Is a Resilient Revelry

Mini Trees © Nina Raj 9.1
Debut, Features, Interviews, Music, Our Take, ReviewsSeptember 22, 2021<September 22, 2021

“Relatable Indie Pop”: Mini Trees’ Debut Album ‘Always in Motion’ is a Dreamy, Triumphant Reckoning

Victoria Bigelow © 2021
Music, PremieresSeptember 22, 2021<September 22, 2021

Premiere: Victoria Bigelow’s Gut-Wrenchingly Intimate & Breathtakingly Raw ‘waves’ EP

The Slang © 2021
Debut, Features, Music, Premieres, Track-by-TrackSeptember 22, 2021<September 22, 2021

Expressive, Moody, & Cathartic: DC’s The Slang Premiere Their Cinematic Debut Album, ‘Divide’

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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