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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Julien Baker © Alysse Gafkjen
Features, Interviews, MusicJune 8, 2021<February 26, 2022

‘Little Oblivions’ & Emotional Chemistry: Julien Baker Discusses Art, Empathy, Honesty, and Self-Love

Rachel Sermanni © Gaelle Beri
Features, Music, Reviews, Track-by-TrackJune 8, 2021<June 8, 2021

“Glowing, Flowing, Woven”: Rachel Sermanni Dwells in an Intimate Surrender on ‘Swallow Me’ EP

Flaws & Phases - Badmind
Music, ReviewsJune 8, 2021<June 8, 2021

Review: The Intimate Radiance of Badmind’s Soul-Pop Song “Flaws & Phases”

Allison Ponthier © Lissyelle Laricchia
Artist to Watch, Interviews, MusicJune 7, 2021<October 5, 2021

Interview: Singer/Songwriter Allison Ponthier Is an Intimate, Heartfelt, & Captivating Artist-to-Watch

Trip Carter © 2021
Music, Reviews, Track-by-TrackJune 7, 2021<June 7, 2021

“West Coast Summer”: Trip Carter Dives into His Sun-Soaked ‘Slim Tripper’ EP

Mia Pixley © David Pettijohn
Music, PremieresJune 7, 2021<June 7, 2021

Premiere: The Sun Shines Through Mia Pixley’s Radiant “In the Daylight”

Superbloom © Maya Lee 10
Debut, Features, Music, Reviews, Track-by-TrackJune 4, 2021<October 1, 2021

“Hypnotic, Exhaustive, Bliss”: Brooklyn Grunge Band Superbloom Ignite on Stunning Debut ‘Pollen’

Wyldest © 2021
Features, Music, Reviews, Track-by-TrackJune 4, 2021<January 27, 2023

Feature: Wyldest’s Empowering ‘Monthly Friend’ Embraces & Explores the Depths of Womanhood

Lucy Francesca Dron © Finn Mullen
Debut, Features, Music, Reviews, Track-by-TrackJune 4, 2021<June 4, 2021

“Emotional, Eclectic, & Honest”: Lucy Francesca Dron’s Dynamic Coming-of-Age EP ‘Leftovers’

B-Drop
Features, Music, PremieresJune 4, 2021<June 14, 2021

Premiere: B-Drop Worldwide Showcases Slothrust, The Islas, Velvet Starlings, Opus Kink, Modern Eyes, & The Roves

Hayden Everett © Raymond Alva
Music, Reviews, Track-by-TrackJune 3, 2021<June 3, 2021

Presence, Awe, & Wonder: Hayden Everett Soars on Sophomore EP ‘Kennecott’

Wayne Snow © Kiroubel Beaujour
Columns, Music, Today's SongJune 3, 2021<June 4, 2021

Today’s Song: Wayne Snow’s Smoldering “Seventy” Is an Irresistible, Sultry Seduction

Jesse Markin © Tero Ahonen
Music, PremieresJune 3, 2021<June 3, 2021

Premiere: Jesse Markin Explores Identity & Masculinity in Empowering “Hemostasis” ft. Terrell Hines

"Bound for Glory" film still - The Magic Lantern
Music, Music Videos, PremieresJune 3, 2021<June 3, 2021

Premiere: The Magic Lantern’s Heart-Wrenching “Bound for Glory” Is an Existential, Moving Cinematic Wonder

No Tomorrow EP - Louien
Music, Premieres, Reviews, Track-by-TrackJune 3, 2021<June 3, 2021

“Unpredictable, Deep-Diving, & Honest”: Louien Captivates with Beautiful ‘No Tomorrow’ EP

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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