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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Royal Canoe © 2021
Music, PremieresMay 26, 2021<May 26, 2021

Premiere: Royal Canoe & NNAMDÏ Come Alive in Captivating Jazz-Tinged “Scratching Static”

Beharie © Isak Jenssen
Music, PremieresMay 26, 2021<May 26, 2021

Premiere: Vulnerability & Self-Discovery Shine in Beharie’s “Don’t Wanna Know” Music Video

Nancy Lu © Nate Cover
Asian American and Pacific Islander Heritage Month, InterviewsMay 26, 2021<May 27, 2021

Interview: Fancy PR Owner Nancy Lu Shares Her Story & Chinese Culture for AAPI Heritage Month

Nic Howell © 2021
Music, ReviewsMay 25, 2021<May 25, 2021

Review: Nic Howell’s Summery “Morning” Dazzles with a Buoyant & (Bitter)sweet Radiance

Maeve © Leanda Heler
Music, ReviewsMay 25, 2021<May 25, 2021

Song Review: Maeve Indulges in the Dark Side on Feverish Anti-Pop Anthem “Sick”

Kianja © John Phillips
Music, ReviewsMay 25, 2021<May 25, 2021

Song Review: British Singer/Songwriter Kianja Spills Her Soul in “Place for Me”

Kim Valderas
Asian American and Pacific Islander Heritage Month, InterviewsMay 25, 2021<May 27, 2021

Interview: Motown Records’ Kim Valderas Shares Her Story & Filipino Culture for AAPI Heritage Month

Vaarin © 2021
Music, Premieres, Reviews, Track-by-TrackMay 25, 2021<May 26, 2021

Of Light, Love, Loss, & Life: Vaarin Dives into Her Cinematic ‘Imaginary Movies’ EP

IgnoRANT - Racquel Jones
Debut, Features, Music, Reviews, Track-by-TrackMay 25, 2021<May 25, 2021

“Aggressive. Vulnerable. Honest.”: Racquel Jones Rises with a Fire in Unapologetic Debut ‘IgnoRANT’

Jeff Hortillosa © Ishmael Quintanilla
Music, PremieresMay 25, 2021<May 25, 2021

Premiere: Austin’s Jeff Hortillosa Tackles Explores Isolation & Mental Health in “Alone”

Course © Chloe Hamilton
Features, Music, Reviews, Track-by-TrackMay 25, 2021<August 30, 2021

“Dreamy, Joyful, Synthy”: Chicago’s Course Rise with Fresh, Spirited Debut Album ‘A Late Hour’

Lord Huron © Anthony Wilson 2021 10
Features, Interviews, MusicMay 25, 2021<February 7, 2022

Interview: Lord Huron Dive into Time’s Blur on Their “Indefinably Nostalgic” 4th Album ‘Long Lost’

Paradigmes - La Femme
Features, Music, Reviews, Track-by-TrackMay 24, 2021<May 24, 2021

Eclectic, Messy, & Original: La Femme Go Track-by-Track Through Third LP ‘Paradigmes’

ViVii © Rikkard Häggbom
Features, Music, Reviews, Track-by-TrackMay 24, 2021<May 24, 2021

“Feelings, feelings, feelings!”: ViVii’s Sophomore LP ‘Mondays’ Soars with Dazzling Dream Pop

Sometimes Depressed​.​.​.​But Always Antifascist - BSÍ
MusicMay 21, 2021<May 21, 2021

“Brussels Sprouts International”: Iceland’s BSÍ Come to Life on Debut ‘Sometimes Depressed​.​.​.​But Always Antifascist’

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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