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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Mosa Wild © 2021
Music, ReviewsFebruary 2, 2021<February 2, 2021

Review: Mosa Wild Return with Tender Single “Cry Baby,” a Beautiful & Compelling Upheaval

Jeauneil © Coco Victoria
Columns, Music, Today's SongFebruary 2, 2021<February 2, 2021

Today’s Song: Jeauneil Captures the Weight of “Falling” with Breathtaking Debut Single

When You Found Me - Lucero
Features, Interviews, Music, Reviews, Track-by-TrackJanuary 29, 2021<March 14, 2021

“You’re Your Family”: Lucero Dive into the Depths of Sweeping Tenth Album ‘When You Found Me’

Shrug - Rat Tally
Columns, Music, Today's SongJanuary 29, 2021<January 29, 2021

Today’s Song: Rat Tally’s Raw “Shrug” Is a Tender, Fragile, & Intimate Upheaval

Verzache © 2021
Features, Interviews, MusicJanuary 29, 2021<January 29, 2021

Interview: Toronto’s Verzache Dwells in the Wavey, Hazey Depths of “All I Need” Off Forthcoming Debut ‘My Head Is a Moshpit’

Adam Melchor © 2020
Artist to Watch, Music, ReviewsJanuary 28, 2021<January 28, 2021

Artist to Watch: Adam Melchor Stuns with Breathtakingly Beautiful Songs “Life on Earth?” & “The Last Song on Earth”

Phantom Wave © 2021
Columns, Music, Today's SongJanuary 28, 2021<January 28, 2021

Today’s Song: Brooklyn’s Phantom Wave Dwell in Ethereal Shoegaze Depths on Overdriven Upheaval “Billows”

Doohickey Cubicle © Jordyn Taylor-Robins
Music, PremieresJanuary 28, 2021<January 28, 2021

Premiere: Doohickey Cubicle’s Hazey Song “Sign Here” Is a Cheeky & Intoxicating Celebration of Consumerism

JOYNER © Morgan Demeter
Music, ReviewsJanuary 28, 2021<January 28, 2021

California Duo JOYNER’s 2018 Debut “White Lights” Continues to Burn Bright

Roller Derby © Anja Gurres
Music, Music Videos, PremieresJanuary 28, 2021<January 27, 2021

Premiere: Hamburg’s Roller Derby Weave a World of Dream Pop Wonder in Soaring “Can’t See You”

Atwood Magazine's Editor's Picks 44
Columns, Editor's Picks, Features, MusicJanuary 27, 2021<January 27, 2021

Editor’s Picks 44: Weezer, Soda Blonde, Arlo Parks, Charli Adams, Avenue Beat, & Kuri

Sabiyha © Shingi Rice
Music, PremieresJanuary 27, 2021<February 1, 2021

Premiere: Croydon’s Sabiyha Honors Guyanese Heritage, Family, & Childhood in New Single “Lullaby”

Lisa/Liza © Alexa Clavette
Music, Reviews, Track-by-TrackJanuary 26, 2021<May 1, 2023

“Fielded, Holding, Placement”: Lisa/Liza Evokes Stillness with Raw Folk Album ‘Shelter of a Song’

Sydney Sprague © 2021
MusicJanuary 26, 2021<January 26, 2021

Today’s Song: Sydney Sprague Explodes into 2021 with “object permanence,” Reckoning with Disconnect & Separation

Wax Owls © Bernadette Marciniak
Music, PremieresJanuary 26, 2021<January 26, 2021

Premiere: LA’s Wax Owls Embrace Mental Wellness with Soaring Single “Stay Awhile”

Posts pagination
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Recent Posts

  • “You have to trust your taste”: Why Don’t We’s Corbyn Besson Turns Hesitation into Liberation on Debut Solo EP ‘HEAD FIRST’ January 16, 2026
  • “No Band Is an Island!”: Manchester’s Westside Cowboy Are Bringing ‘Britainicana’ to the Masses Through Shared Instinct and Loud, Joyful Noise January 16, 2026
  • “I Like the Way You Memorized My Number”: Yam Haus & Sydney Quiseng Find the Beauty of “Always Falling in Love” on Their Breathtaking Duet January 16, 2026
  • Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan! January 15, 2026
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  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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