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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Bleach Lab © Isy Townsend 10
Debut, Features, Music, Our Take, Reviews, Track-by-TrackMarch 19, 2021<October 5, 2021

“Introspective, Revealing, & Sombre”: Bleach Lab Reckon Through Grief & Trauma on Debut EP ‘A Calm Sense of Surrounding’

Jon Batiste © Justin French
Features, Interviews, MusicMarch 19, 2021<October 5, 2021

“We Are the Golden Ones”: Jon Batiste Dives into His Inspiring, Genreless New Album

Sundressed © Orlando Pelagio
Music, Music Videos, ReviewsMarch 18, 2021<March 18, 2021

Review: Sundressed’s “Cash Out” Is an Anthem of Perseverance, Inner Strength & Staying Power

girlhouse © Alex Justice
Artist to Watch, Columns, Music, Today's SongMarch 18, 2021<March 18, 2021

Artist to Watch: girlhouse Reckons with Inherited Trauma & Finds Renewal on “loaded gun”

Riley Pearce © Al Parkinson
Music, Premieres, Track-by-TrackMarch 18, 2021<March 18, 2021

EP Premiere: Riley Pearce Captures the Beauty & Magic of Connection with ‘Love and All That Stuff’

LA Parties' Andy Gorel
Debut, Music, PremieresMarch 18, 2021<March 18, 2021

Premiere: LA Parties Debuts with Invigorating & Visceral Disillusionment on Self-Titled Single, “LA Parties”

Michael Baker
Features, Interviews, Music, Reviews, Track-by-TrackMarch 17, 2021<March 17, 2021

“Bionic Chemistry Chimney”: Michael Baker Dives into His Stirring & Hopeful 3rd LP ‘How Come You Sleep’

Blackout Problems
Features, Interviews, Music, Reviews, Track-by-TrackMarch 17, 2021<March 19, 2021

“Emotional, Energetic, Expressive”: Germany’s Blackout Problems Dive into Unrelenting 3rd LP ‘DARK’

TANGERINE © Miro Justad
Artist to Watch, Music, PremieresMarch 17, 2021<March 17, 2021

Premiere: TANGERINE Bask in Cosmic Indie Folk Dreams on “The Coldest Winter”

The Bones of J.R. Jones © Christian Harder
Interviews, Music, PremieresMarch 17, 2021<March 17, 2021

“Understated, Honest, & Dark”: The Bones of J.R. Jones Lights a Fire in ‘A Celebration’ EP

Spring Summer © Roman Coppola
Debut, Music, PremieresMarch 16, 2021<March 16, 2021

Premiere: Jennifer Furches’ Solo Project Spring Summer Debuts with Dazzling First Single “Bow Your Head”

Maritza Merk
Debut, Features, Music, Reviews, Track-by-TrackMarch 16, 2021<March 16, 2021

“Smooth, Relatable, & Confident”: Maritza Merk Dives into Her Transformative Debut Album ‘X’

Unsaid - Psychic Shakes
Music, Reviews, Track-by-TrackMarch 16, 2021<March 16, 2021

“Informal, Conversational, Confessional”: Psychic Shakes Dives into His Mesmerizing ‘Unsaid’ EP

Internet Raised © 2021
Music, PremieresMarch 16, 2021<March 16, 2021

Premiere: Internet Raised’s Intimate “Burning Sheets” Is a Seductive Indie Pop Dalliance

Babygirl © Kate Dockeray
Columns, Music, Today's SongMarch 16, 2021<March 15, 2021

Young Love & Loss: Ontario’s Babygirl Dazzle on Slick, Sweet Single “You Were in My Dream Last Night”

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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