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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Coconut Cream © Hudson Reed
Columns, Music, Today's SongJune 10, 2021<June 10, 2021

Today’s Song: Sydney’s Coconut Cream Dazzle & Charm in Their Dynamic Single “Your Drug on Computers”

Wy © Lamia Karic
Features, Music, Reviews, Track-by-TrackJune 10, 2021<June 10, 2021

“Raw & Vulnerable, Yet Confident”: Wy’s Irresistibly Intimate & Stirring Third Album ‘Marriage’

Seint Monet © Daniel Chaney & Kathryn Chaney
Music, PremieresJune 10, 2021<July 13, 2021

Seint Monet’s Irresistible “In Line & In Love” Is a Sweet, Sun-Soaked Seduction

Kramies x Grant Wilson
MusicJune 9, 2021<June 9, 2021

Kramies & Grant Wilson Hunt Old Ghosts in New Songs “Oak and the Ivy” & “Goodbye Garden”

New Woman - lùisa
Features, Interviews, MusicJune 9, 2021<June 9, 2021

Grief, Grooves, & Growth: Lùisa Soars on Intimate & Empowering Third Album ‘New Woman’

Oceans - YAYME
Debut, Music, PremieresJune 9, 2021<June 9, 2021

Premiere: The Haunting Depths of YAYME’s Tranquilizing, Dreamy Debut Single “Oceans”

Wrabel © Yazz Alali
Features, Interviews, MusicJune 9, 2021<June 9, 2021

Interview: Wrabel’s Star Shines on “good” & “nothing but the love”

Charles Copley © Mimi Raver
Music, ReviewsJune 8, 2021<June 8, 2021

Review: Searching for Meaning in Charles Copley’s Haunting & Hopeful Song, “Cedars 6S66”

Julien Baker © Alysse Gafkjen
Features, Interviews, MusicJune 8, 2021<February 26, 2022

‘Little Oblivions’ & Emotional Chemistry: Julien Baker Discusses Art, Empathy, Honesty, and Self-Love

Rachel Sermanni © Gaelle Beri
Features, Music, Reviews, Track-by-TrackJune 8, 2021<June 8, 2021

“Glowing, Flowing, Woven”: Rachel Sermanni Dwells in an Intimate Surrender on ‘Swallow Me’ EP

Flaws & Phases - Badmind
Music, ReviewsJune 8, 2021<June 8, 2021

Review: The Intimate Radiance of Badmind’s Soul-Pop Song “Flaws & Phases”

Allison Ponthier © Lissyelle Laricchia
Artist to Watch, Interviews, MusicJune 7, 2021<October 5, 2021

Interview: Singer/Songwriter Allison Ponthier Is an Intimate, Heartfelt, & Captivating Artist-to-Watch

Trip Carter © 2021
Music, Reviews, Track-by-TrackJune 7, 2021<June 7, 2021

“West Coast Summer”: Trip Carter Dives into His Sun-Soaked ‘Slim Tripper’ EP

Mia Pixley © David Pettijohn
Music, PremieresJune 7, 2021<June 7, 2021

Premiere: The Sun Shines Through Mia Pixley’s Radiant “In the Daylight”

Superbloom © Maya Lee 10
Debut, Features, Music, Reviews, Track-by-TrackJune 4, 2021<October 1, 2021

“Hypnotic, Exhaustive, Bliss”: Brooklyn Grunge Band Superbloom Ignite on Stunning Debut ‘Pollen’

Posts pagination
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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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