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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Trusted © 2021
Music, ReviewsMay 17, 2021<May 17, 2021

The Trusted’s “Rebel Song” Is a Spirited & Anthemic Uproar

Charity Children © Caroline Mackintosh
Music, ReviewsMay 17, 2021<May 17, 2021

Charity Children’s Beautifully Bittersweet “We Loved” Celebrates Love Come & Gone

"Love Is..." - Saint Joshua
Columns, Music, Today's SongMay 17, 2021<May 17, 2021

Today’s Song: London’s Saint Joshua Captures the Magic of Intimacy in “Love Is…”

Krantz © 2021
Music, PremieresMay 17, 2021<May 17, 2021

Premiere: KRANTZ Takes Us to the “Beach” in Summery Single

Pattern Pusher © 2021
Music, PremieresMay 17, 2021<May 17, 2021

Premiere: “Come Along” with Pattern Pusher’s Funky, Feel-Good Summer Soundtrack

Elephante © Alex Lopes
Music, ReviewsMay 14, 2021<May 11, 2023

Review: Swimming Upstream with Elephante’s Hypnotizing “High Water”

girlhouse © Alex Justice
Artist to Watch, Debut, Music, Reviews, Track-by-TrackMay 14, 2021<May 14, 2021

“Sad Ginger Music”: girlhouse Goes Track-by-Track Through Her Visceral Debut EP

Tommy Ashby © Fraser Taylor
Music, Reviews, Track-by-TrackMay 14, 2021<May 14, 2021

“Hopeful, Atmospheric, Escapism”: Inside Tommy Ashby’s Stirring & Serene ‘Lay Low’ EP (ft. Lydia Clowes)

William Fitzsimmons © Erin Brown
Music, PremieresMay 14, 2021<May 14, 2021

Premiere: William Fitzsimmons Dwells in Love’s Throes on “Dancing on the Sun” off New LP ‘Ready the Astronaut”

Charlotte OC © Jamie Noise
Music, PremieresMay 14, 2021<May 14, 2021

Premiere: Charlotte OC Reckons with Loss in Hauntingly Beautiful Song, “Inevitable”

Barenaked Ladies (L-R): Kevin Hearn (keyboards), Ed Robertson (vocals/guitar), Tyler Stewart (drums), Jim Creeggan (bass) © Matt Barnes
Interviews, MusicMay 13, 2021<May 13, 2021

Interview: Barenaked Ladies Look for Common Ground in Arena-Ready Anthem “Flip”

TOBi © Stanislaw
Music, ReviewsMay 13, 2021<May 13, 2021

Review: TOBi & Flo Milli Heat Up in Dynamic, Impassioned “Family Matters” Reboot

Peter Stone © Lakyn Heming
Music, PremieresMay 13, 2021<May 13, 2021

Premiere: Singer/Songwriter Peter Stone Reflects on Home, Place, Loss, & Self in “Pacific”

Wanderwild © Emma Rolader Martin
Music, PremieresMay 13, 2021<May 13, 2021

Premiere: Athens, GA’s Wanderwild Ignite in Dazzlingly Dynamic “Stranger”

Olivia O. © Avsha Weinberg
Music, PremieresMay 13, 2021<May 13, 2021

Premiere: Olivia O. Returns with New Single “All I Want,” an Achingly Vulnerable & Bittersweet Surrender

Posts pagination
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Recent Posts

  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
  • Magnus Ferrell Wants to Fill the Void: The Making of “Asleep Talking” September 11, 2026
  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
  • Live Review: Arlo Parks Urges Us to Dance Through It All, While Never Forgetting the Tenderness Underneath September 9, 2026
  • Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist September 9, 2026
  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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