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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Verzache © 2021
Features, Interviews, MusicJanuary 29, 2021<January 29, 2021

Interview: Toronto’s Verzache Dwells in the Wavey, Hazey Depths of “All I Need” Off Forthcoming Debut ‘My Head Is a Moshpit’

Adam Melchor © 2020
Artist to Watch, Music, ReviewsJanuary 28, 2021<January 28, 2021

Artist to Watch: Adam Melchor Stuns with Breathtakingly Beautiful Songs “Life on Earth?” & “The Last Song on Earth”

Phantom Wave © 2021
Columns, Music, Today's SongJanuary 28, 2021<January 28, 2021

Today’s Song: Brooklyn’s Phantom Wave Dwell in Ethereal Shoegaze Depths on Overdriven Upheaval “Billows”

Doohickey Cubicle © Jordyn Taylor-Robins
Music, PremieresJanuary 28, 2021<January 28, 2021

Premiere: Doohickey Cubicle’s Hazey Song “Sign Here” Is a Cheeky & Intoxicating Celebration of Consumerism

JOYNER © Morgan Demeter
Music, ReviewsJanuary 28, 2021<January 28, 2021

California Duo JOYNER’s 2018 Debut “White Lights” Continues to Burn Bright

Roller Derby © Anja Gurres
Music, Music Videos, PremieresJanuary 28, 2021<January 27, 2021

Premiere: Hamburg’s Roller Derby Weave a World of Dream Pop Wonder in Soaring “Can’t See You”

Atwood Magazine's Editor's Picks 44
Columns, Editor's Picks, Features, MusicJanuary 27, 2021<January 27, 2021

Editor’s Picks 44: Weezer, Soda Blonde, Arlo Parks, Charli Adams, Avenue Beat, & Kuri

Sabiyha © Shingi Rice
Music, PremieresJanuary 27, 2021<February 1, 2021

Premiere: Croydon’s Sabiyha Honors Guyanese Heritage, Family, & Childhood in New Single “Lullaby”

Lisa/Liza © Alexa Clavette
Music, Reviews, Track-by-TrackJanuary 26, 2021<May 1, 2023

“Fielded, Holding, Placement”: Lisa/Liza Evokes Stillness with Raw Folk Album ‘Shelter of a Song’

Sydney Sprague © 2021
MusicJanuary 26, 2021<January 26, 2021

Today’s Song: Sydney Sprague Explodes into 2021 with “object permanence,” Reckoning with Disconnect & Separation

Wax Owls © Bernadette Marciniak
Music, PremieresJanuary 26, 2021<January 26, 2021

Premiere: LA’s Wax Owls Embrace Mental Wellness with Soaring Single “Stay Awhile”

Animal Years © Kelsey Runge
Music, Reviews, This Just InJanuary 25, 2021<February 25, 2021

This Just In: Animal Years Light a Fire with Folk Rock Anthem “What I’m Fighting For”

Cigarettes - Douglas
Music, PremieresJanuary 25, 2021<January 25, 2021

Premiere: LA’s Douglas Finds Freedom in the Dark, Dreamy Shoegaze Depths of Debut “Cigarettes”

The Flavians © Tobias Humble
Artist to Watch, Music, ReviewsJanuary 22, 2021<July 1, 2021

Berlin’s The Flavians Bask in Debaucherous Revelry on Star-Crossed Single “Ace of Base”

Atwood Magazine's Editor's Picks 43
Columns, Editor's Picks, MusicJanuary 22, 2021<January 22, 2021

Editor’s Picks 43: AYLØ, cehryl, Tara Terra, Sir Sly, Emanuel, & Issy Wood

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Recent Posts

  • “When Lies Are Popular, Telling the Truth Is a Revolutionary Act”: Ria Rua Channels Anger into Industrial Alt-Rock with Debut ‘S C A P E G.O.A.T.’ February 26, 2026
  • “A Brief Break in the Clouds”: Bad Tiger Finds Grace in Grief on “Do It Right,” a Clear-Eyed Folk Mantra February 26, 2026
  • “100 Years of Black History, A Lifetime of Musical Influence”: An Essay in Honor of Black History Month by SAVNT of Ghost Hounds February 26, 2026
  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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