• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Leif Vollebekk © Vanessa Heins
Interviews, MusicNovember 11, 2020<November 11, 2020

Bon Iver, Space, and a Country Song Lullaby: An Interview with Leif Vollebekk

Glded © Elle Ternes
Music, ReviewsNovember 11, 2020<November 10, 2020

Chicago’s Glded Weaves Wistful & Reflective Folktronica Through “Paine” & ‘Moraine’ EP

Elizabeth Woolf © 2020
Columns, Music, Today's SongNovember 10, 2020<November 10, 2020

Today’s Song: Elizabeth Woolf’s “Party” Is a Cordial Invitation to Smile

Frames © 2020
Music, PremieresNovember 10, 2020<November 10, 2020

Romantic Reckoning & Inner Upheaval: Frames’ Intimate Journey Through “Hell”

Novo Amor © Daniel Alexander Harris & Aline Brant
MusicNovember 9, 2020<November 15, 2020

Feature: Novo Amor Dives into the Shimmering Depths of Breathtaking LP, ‘Cannot Be, Whatsoever’

Moon Mouth © Greg Fechik & Erick Arias
Columns, Debut, Interviews, Music, Today's SongNovember 9, 2020<November 9, 2020

Interview: Get the Led Out with Chicago’s Moon Mouth and Their Debut Single “Ghost”

Andrea Magee © 2020
Debut, Interviews, Music, PremieresNovember 5, 2020<November 5, 2020

Interview: Andrea Magee Unveils Debut Album ‘Only Love’ Bursting with Sentimental Sincerity

Mishegas © Morgan Kranston, Laith Khalifeh
Debut, Music, PremieresNovember 5, 2020<November 5, 2020

Premiere: Mishegas’ “Untitled” Instrumental Radiates a Soothing Tranquility

Tessa Rae © 2020
Music, Music Videos, PremieresNovember 2, 2020<November 2, 2020

Premiere: Tessa Rae’s “Tangled” Is a Dark, Dramatic, and Catchy Upheaval

Atwood Magazine Editor's Picks 42
Columns, Editor's Picks, Features, MusicOctober 30, 2020<January 14, 2021

Editor’s Picks: The Staves, Antony Jeffares, TOBi, Sarah Proctor, Beau, & Lanterns on the Lake

"It Doesn't Have To Be This Way" – Wallace Tallman © Keegan Snyder
Debut, Features, Music, Reviews, Track-by-TrackOctober 30, 2020<October 30, 2020

American Human Nature: Wallace Tallman’s Timely & Timeless EP Captures a Fractured Nation in Need of Healing

Miloe © Emma Quale
Music, Reviews, Track-by-TrackOctober 30, 2020<October 30, 2020

Track-by-Track: Miloe’s ‘Greenhouse’ EP Dwells in a Sweet Summer Bliss

Nana Adjoa © Latoya van der Meeren
Debut, Features, Music, Reviews, Track-by-TrackOctober 29, 2020<October 29, 2020

Identity, Reflection, & Depth: Nana Adjoa Dives into Debut Album ‘Big Dreaming Ants’

Erthlings © Cybele Malinowski
Music, PremieresOctober 29, 2020<October 29, 2020

Premiere: Erthlings Return with Catchy & Urgent Dream Pop Upheaval, “Irrational”

Vertigo EP - GRANT
Music, Reviews, Track-by-TrackOctober 28, 2020<November 2, 2020

Questioning, Urging, Hoping: GRANT Rises High in Effervescent ‘Vertigo’ EP

Posts pagination
1 … 148 149 150 151 152 … 291

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services