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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Stonefox © Jeff Anderson Jnr
Interviews, Music, Reviews, Track-by-TrackAugust 20, 2020<August 20, 2020

Track-by-Track: Melbourne’s Stonefox Open Up on Intimate New EP ‘As You Fall In’

St Valentine © Johannes Greve Muskat
Debut, Features, Interviews, MusicAugust 20, 2020<August 20, 2020

Escape & Indulgence: Ulrik Denizou Lund (Lemaitre) on His New Music As “St Valentine”

Bleach Lab © Isy Townsend
Columns, Debut, Music, Reviews, Today's SongAugust 20, 2020<August 20, 2020

Artist to Watch: Bleach Lab’s Third Single “Sleep” is a Hypnotic, Raw & Visceral Dream

Allman Brown © Flore Diamant
Interviews, Music, Reviews, Track-by-TrackAugust 19, 2020<August 19, 2020

Review: Allman Brown’s Intimate ‘Reflections’ EP Dives Deep into the Self

Will Hyde © 2020
Music, PremieresAugust 19, 2020<August 19, 2020

Premiere: Melbourne’s will hyde Soars in Euphoric Post-Breakup Anthem “over u.”

Chinwe © 2020
Music, PremieresAugust 18, 2020<March 15, 2024

Premiere: Chinwe’s “Intoxicated” Is a Seductive, Hypnotic & Dreamy Indulgence

The Hails © Kat DeBarros
Music, PremieresAugust 18, 2020<August 18, 2020

Premiere: A Hopeful Pulse in The Hails’ Aching New Single “Heartbeat”

Holly Humberstone © Phoebe Fox
Debut, Features, Music, Reviews, Track-by-TrackAugust 13, 2020<August 14, 2020

“Dark, Wonky, Brutally Honest Pop”: Holly Humberstone Opens Up on Debut EP ‘Falling Asleep At the Wheel’

Yukon Blonde © 2020
Music, PremieresAugust 13, 2020<August 13, 2020

Premiere: Falling “In Love Again” with Yukon Blonde’s Seductive Summer Dream

Breaking The Record 2020
Breaking the Record, Columns, MusicAugust 13, 2020<August 13, 2020

Breaking the Record with Roan Yellowthorn, Part 27: Going Indie

SODA - Estes + Henley
Music, PremieresAugust 13, 2020<August 11, 2020

Premiere: Estes & HENLEY Team Up for Sweet n’ Summery, Freeing n’ Feelgood ‘SODA’ EP

Hedara
Music, PremieresAugust 13, 2020<August 13, 2020

Premiere: Hedara Captures Anxiety in Poignant, Aching Confessional “Fire with Fire”

Lola Woman © 2020
Interviews, MusicAugust 11, 2020<August 10, 2020

Interview: Lola Young Dives into Her Empowering & Impassioned Ode, “Woman”

Atwood Magazine's Editor's Picks 38
Columns, Editor's Picks, MusicAugust 10, 2020<August 10, 2020

Editor’s Picks 38: Glass Animals, The Staves, Mt. Joy, Gordi, Cold War Kids, & Lewis Del Mar

Isaac Stuart
Music, PremieresAugust 10, 2020<August 12, 2020

“It’s me falling in love with the city”: UK Singer/Songwriter Isaac Stuart Debuts Dreamy “Camden Town”

Posts pagination
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Recent Posts

  • “You have to trust your taste”: Why Don’t We’s Corbyn Besson Turns Hesitation into Liberation on Debut Solo EP ‘HEAD FIRST’ January 16, 2026
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  • “I Like the Way You Memorized My Number”: Yam Haus & Sydney Quiseng Find the Beauty of “Always Falling in Love” on Their Breathtaking Duet January 16, 2026
  • Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan! January 15, 2026
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  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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