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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Verzache © 2021
Features, Interviews, MusicJanuary 29, 2021<January 29, 2021

Interview: Toronto’s Verzache Dwells in the Wavey, Hazey Depths of “All I Need” Off Forthcoming Debut ‘My Head Is a Moshpit’

Adam Melchor © 2020
Artist to Watch, Music, ReviewsJanuary 28, 2021<January 28, 2021

Artist to Watch: Adam Melchor Stuns with Breathtakingly Beautiful Songs “Life on Earth?” & “The Last Song on Earth”

Phantom Wave © 2021
Columns, Music, Today's SongJanuary 28, 2021<January 28, 2021

Today’s Song: Brooklyn’s Phantom Wave Dwell in Ethereal Shoegaze Depths on Overdriven Upheaval “Billows”

Doohickey Cubicle © Jordyn Taylor-Robins
Music, PremieresJanuary 28, 2021<January 28, 2021

Premiere: Doohickey Cubicle’s Hazey Song “Sign Here” Is a Cheeky & Intoxicating Celebration of Consumerism

JOYNER © Morgan Demeter
Music, ReviewsJanuary 28, 2021<January 28, 2021

California Duo JOYNER’s 2018 Debut “White Lights” Continues to Burn Bright

Roller Derby © Anja Gurres
Music, Music Videos, PremieresJanuary 28, 2021<January 27, 2021

Premiere: Hamburg’s Roller Derby Weave a World of Dream Pop Wonder in Soaring “Can’t See You”

Atwood Magazine's Editor's Picks 44
Columns, Editor's Picks, Features, MusicJanuary 27, 2021<January 27, 2021

Editor’s Picks 44: Weezer, Soda Blonde, Arlo Parks, Charli Adams, Avenue Beat, & Kuri

Sabiyha © Shingi Rice
Music, PremieresJanuary 27, 2021<February 1, 2021

Premiere: Croydon’s Sabiyha Honors Guyanese Heritage, Family, & Childhood in New Single “Lullaby”

Lisa/Liza © Alexa Clavette
Music, Reviews, Track-by-TrackJanuary 26, 2021<May 1, 2023

“Fielded, Holding, Placement”: Lisa/Liza Evokes Stillness with Raw Folk Album ‘Shelter of a Song’

Sydney Sprague © 2021
MusicJanuary 26, 2021<January 26, 2021

Today’s Song: Sydney Sprague Explodes into 2021 with “object permanence,” Reckoning with Disconnect & Separation

Wax Owls © Bernadette Marciniak
Music, PremieresJanuary 26, 2021<January 26, 2021

Premiere: LA’s Wax Owls Embrace Mental Wellness with Soaring Single “Stay Awhile”

Animal Years © Kelsey Runge
Music, Reviews, This Just InJanuary 25, 2021<February 25, 2021

This Just In: Animal Years Light a Fire with Folk Rock Anthem “What I’m Fighting For”

Cigarettes - Douglas
Music, PremieresJanuary 25, 2021<January 25, 2021

Premiere: LA’s Douglas Finds Freedom in the Dark, Dreamy Shoegaze Depths of Debut “Cigarettes”

The Flavians © Tobias Humble
Artist to Watch, Music, ReviewsJanuary 22, 2021<July 1, 2021

Berlin’s The Flavians Bask in Debaucherous Revelry on Star-Crossed Single “Ace of Base”

Atwood Magazine's Editor's Picks 43
Columns, Editor's Picks, MusicJanuary 22, 2021<January 22, 2021

Editor’s Picks 43: AYLØ, cehryl, Tara Terra, Sir Sly, Emanuel, & Issy Wood

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Recent Posts

  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
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  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
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  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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