• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Donovan Woods © Maya Fuhr
Features, Music, Reviews, Track-by-TrackNovember 17, 2020<December 22, 2020

“Ruminative, Lonely, & Forgiving”: Singer/Songwriter Donovan Woods on His Intimate 7th Album ‘Without People’

The Drives © Geffen Schichor 2
Columns, Music, Today's SongNovember 17, 2020<October 27, 2021

Today’s Song: The Drives’ Dynamic “All This Boredom” Is Anything But…

iDKHOW © 2020
Debut, Features, Music, Reviews, Track-by-TrackNovember 17, 2020<November 17, 2020

‘Razzmatazz’ & Razzle-Dazzle: iDKHOW Go Track-by-Track Through Their Thrilling Debut Album

Elizabeth Moen © Elly Hofmaier
Music, PremieresNovember 17, 2020<November 17, 2020

Premiere: Processing Painful Emotions with Elizabeth Moen’s Delicate Folk Song, “It’ll Get Tired Too”

Mink's Miracle Medicine © Rich Tarbell
Music, PremieresNovember 17, 2020<November 17, 2020

Premiere: Mink’s Miracle Medicine’s “Beautiful Losers” Is an Entrancing Americana Ode

Shacks & Palaces © Adam & Karolina Wallace
Music, PremieresNovember 16, 2020<November 17, 2020

Premiere: Shacks & Palaces’ “God Made You Strange” Is an Anthem of Acceptance, Self-Love, & Ownership

Rama Gu © 2020
Features, Interviews, MusicNovember 16, 2020<November 16, 2020

“It is what it is”: Inside Rama Gu’s Intimate & Vulnerable Indie Folk Debut, ‘The Garden’

Alex Little & The Suspicious Minds
Music, Music Videos, PremieresNovember 16, 2020<November 16, 2020

Premiere: Driving Down Memory Lane with Alex Little & The Suspicious Minds’ “Across the City”

Ida Lune - Ida Lune
Debut, Music, Premieres, Track-by-TrackNovember 16, 2020<November 17, 2020

Album Premiere: New Zealand Avant-Folk Trio Ida Lune Weave Wonders on Self-Titled Debut

Yukon Blonde © Erika Saul
Features, Music, Reviews, Track-by-TrackNovember 13, 2020<November 13, 2020

“Grolsch, Ocean, API”: Yukon Blonde Soar Bold & True in 5th Album ‘Vindicator’

90's Kids
Debut, Interviews, Music, Reviews, Track-by-TrackNovember 13, 2020<November 13, 2020

“Bold, Exciting, and Diverse”: Ohio’s 90’s Kids Debut Their ‘Doing Love Wrong’ EP

Tara Terra © Tracy Conoboy
Features, Interviews, Music, Today's SongNovember 13, 2020<November 13, 2020

Interview: Chicago’s Tara Terra Open Up with Intimacy & Fragility on Tender “T-Shirt”

VALLEY © 2020
Features, Interviews, Music, ReviewsNovember 12, 2020<November 12, 2020

“Melancholy, Harry Potter, & Soda”: VALLEY Dive into Dynamic 2020 EP ‘sucks to see you doing better’

Woodlock © Kane Hibbered
Music, Reviews, Track-by-TrackNovember 12, 2020<November 12, 2020

Track-by-Track: Melbourne Trio Woodlock Embrace Struggle & Growth on ‘Collateral’ EP

Magazines © Dan Ffrench
Music, PremieresNovember 12, 2020<November 12, 2020

Premiere: Dublin’s Magazines Release an Existential Dream Pop Reckoning in “Pink and Blue”

Posts pagination
1 … 160 161 162 163 164 … 305

Recent Posts

  • “I Saw Your Face in Eternity”: Chris Wills & Revenge Wife Chase Love Across Lifetimes on “Love Live On,” a Spellbinding Ode to Devotion’s Everlasting Flame June 25, 2026
  • “Becoming Saint Micah”: A Pride Month Essay by Saint Micah June 25, 2026
  • Interview: Out of France’s Wine Region Comes molto morbidi, a Seasoned Artist Ready to Spin Her Sadness into Musical Gold June 25, 2026
  • “I Need a Way to Come Undone”: Samuel S.C. Turn Restlessness into Release on “I Need a Moment,” a Rip-Roaring Indie Rock Reckoning June 24, 2026
  • “If You’re Not Happy, Leave!!!”: aleksiah Turns Self-Worth into Pop Perfection on “Bullsh*t, Baby!” & Her Irresistible Third EP ‘Good On Paper’ June 24, 2026
  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services