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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Eleanor Underhill © Kristen Marie Greene
Music, Music Videos, PremieresJune 22, 2020<June 22, 2020

Premiere: Asheville’s Eleanor Underhill Dwells in Her Depths on “Strange Chemistry”

Alt Therapy Session 1: Disillusion - Emanuel
Debut, Music, ReviewsJune 19, 2020<June 19, 2020

Review: Emanuel’s Debut ‘Alt Therapy Session 1: Disillusion’ Is a Breathtaking R&B Experience

Patience - Sondre Lerche
Features, Interviews, MusicJune 18, 2020<August 23, 2020

‘Patience’, Space, & Beauty: Sondre Lerche Dives into His Breathtaking Ninth Album

Atwood Magazine Editor's Picks 36
Columns, Editor's Picks, Features, MusicJune 17, 2020<August 23, 2020

Editor’s Picks 36: Yola, Don Bryant, Orion Sun, Sondre Lerche & More

Music, PremieresJune 17, 2020<June 16, 2020

Premiere: Philly’s Commonwealth Choir Let Loose on Fervent Sophomore EP ‘No End’

Orion Sun © Sophie Hur
Columns, Music, Today's SongJune 17, 2020<June 11, 2020

Today’s Song: The Tender Intimacy of Orion Sun’s “Ne Me Quitte Pas (Don’t Leave Me)”

Tommy Ashby © Fraser Taylor
Music, PremieresJune 17, 2020<June 17, 2020

Artist to Watch: “Blood Wolf Moon” Is Tommy Ashby’s Breathtakingly Sweet Indie Folk Love Song

Gizmo Varillas © Carsten Windhorst
Music, Reviews, Track-by-TrackJune 16, 2020<June 15, 2020

Track-by-Track: Gizmo Varillas Leads Us ‘Out of the Darkness’ with His Brilliant, Radiant Third Album

Victoria Bigelow © Susan Berry
Debut, Music, PremieresJune 16, 2020<June 12, 2020

Premiere: Victoria Bigelow Turns Grief into Beauty in Stirring, Cinematic Debut ‘To Everyone I’ve Loved Before’ EP

Shamir © 2020
Columns, Music, Today's SongJune 16, 2020<June 14, 2020

Shamir’s Impassioned “On My Own” Embraces Isolation & Independence

Jack Garratt © Jake Wangner
Features, Interviews, MusicJune 16, 2020<August 23, 2020

Love, Death & Dancing: An Interview with Jack Garratt

Pat Keen © Jesse Johnson
Music, PremieresJune 15, 2020<June 15, 2020

Minneapolis Singer/Songwriter Pat Keen Breathes Hypnotic Energy into “Torch”

Bryde © 2020
Music, Our Take, Reviews, Track-by-TrackJune 15, 2020<June 11, 2020

Feature: UK’s Bryde Takes on the World with a Feverish Passion in ‘The Volume of Things’

Mustafa © 2020
Columns, Debut, Music, Today's SongJune 15, 2020<June 9, 2020

Mustafa’s Beautiful “Stay Alive” Is a Powerful Song of Love, Community, & Anti-Gun Violence

Nora Rothman © Nora Rothman
Music, PremieresJune 5, 2020<June 11, 2020

Premiere: Nora Rothman’s “borderline” ft. Blush Wilson Adds Haunting Nuance to a Madonna Classic

Posts pagination
1 … 168 169 170 171 172 … 296

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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