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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Eclipse - addy 10
Debut, Music, Our Take, Reviews, Track-by-TrackMarch 19, 2020<December 15, 2020

Track-by-Track: Inside addy’s Beautifully Haunting, Introspective Debut ‘Eclipse’

JST FRNDS © Zachary Deloach
Breaking the Record, Music, PremieresMarch 19, 2020<March 19, 2020

Premiere: JST FRNDS’ Aching “Long Nights” Is an Intimate Anthem for Social Distancing Times

Beach Tiger © Lindsey McCleskey
Music, PremieresMarch 18, 2020<March 18, 2020

Premiere: Beach Tiger Returns for Good with Buoyant “Hard to Love,” an Aching Indie Pop Anthem

Local Nomad © 2020
Music, Music Videos, PremieresMarch 17, 2020<March 19, 2020

Premiere: Artist-to-Watch Local Nomad Ignites with Intimate Indie Pop Anthem “Gates”

Atwood Magazine Editor's Picks 31
Columns, Editor's Picks, Features, MusicMarch 17, 2020<May 15, 2020

Editor’s Picks: March 17, 2020

Fiction Non Fiction © 2020
Music, PremieresMarch 16, 2020<March 16, 2020

Premiere: Fiction Non Fiction’s Sunny “Be There Shine” Is a Loving Embrace

Rental House William Wild 1
Music, Music Videos, PremieresMarch 13, 2020<March 13, 2020

Premiere: William Wild Haunts on the Intimate & Immediate “Rental House” off New Album ‘Push Ups’

Beauty Queen © Taylor Thompson
Columns, Music, Today's SongMarch 12, 2020<March 12, 2020

Today’s Song: Beauty Queen’s Dreamy “Sweet Memory” Evokes Seductive Wonder

Imbalances - Micah McCaw
Music, Premieres, ReviewsMarch 11, 2020<March 11, 2020

Premiere: Micah McCaw Injects Urgent Energies into Dynamic Sophomore Album ‘Imbalances’

Konradsen © Sara Angelica Spilling
Features, Interviews, MusicMarch 11, 2020<March 11, 2020

Ethereality & Community: Diving into Konradsen’s Breathtaking Debut Album ‘Saints and Sebastian Stories’

Hotel Mira Promo Shot 2019_2
Music, Music Videos, PremieresMarch 10, 2020<March 10, 2020

Premiere: Hotel Mira’s Visceral Unveiling “Speaking Off the Record” & the Spirit of New Album ‘Perfectionism’

Interviews, Music, ReviewsMarch 10, 2020<July 29, 2021

Interview: CLAVVS’ Honest & Immersive Alt-Pop Record ‘No Saviors (Extended)’

Are We Getting Better? - The Gloomies
Music, Reviews, Track-by-TrackMarch 10, 2020<March 11, 2020

Track-by-Track: The Gloomies’ Beachy, Visceral, & Intimate Album ‘Are We Getting Better?’

Inspired & the Sleep
Music, PremieresMarch 9, 2020<March 9, 2020

Premiere: Inspired & the Sleep Persevere with Touching “Carry On” off New Debut Album

Thrillhouse
Debut, Interviews, Music, Music Videos, PremieresMarch 6, 2020<March 6, 2020

Interview: For Brighton Indie Rock Band Thrillhouse, “Lesser” Is More

Posts pagination
1 … 174 175 176 177 178 … 293

Recent Posts

  • Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan! January 15, 2026
  • “A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress” January 15, 2026
  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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