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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Victoria Reed © Andres Navarro
Music, PremieresApril 16, 2020<April 17, 2020

Premiere: Victoria Reed’s Empathic “Heal Your Pain” Inspires Inner Strength & Vulnerability

Soda Blonde
Features, Interviews, MusicApril 16, 2020<May 15, 2020

Interview: Artist-to-Watch Soda Blonde Soar in Stunning Debut EP ‘Terrible Hands’

Slow Down - GRAE
Music, Reviews, This Just InApril 15, 2020<April 15, 2020

Review: “Slow Down” with GRAE in the Heat of the Moment on Her Seductive, Sultry Song

Flora Cash © Daniel C. Shippey
Features, Interviews, MusicApril 15, 2020<April 14, 2020

Baby, It’s Okay: An Interview with Indie Pop Couple Flora Cash

Firewoodisland - Firewoodisland
Interviews, Music, Reviews, Track-by-TrackApril 15, 2020<May 3, 2023

Feature: Inside Firewoodisland’s Hopeful & Hauntingly Beautiful Self-Titled Album

Edward and Jane © Brooke Hamilton
Music, PremieresApril 15, 2020<May 29, 2020

Premiere: Edward and Jane’s Cinematic New Song “The Knife” Glows with Heartaching Beauty

JOY - Seazoo
Music, Reviews, Track-by-TrackApril 14, 2020<August 7, 2023

Track-by-Track: Seazoo’s Sophomore Album Is a Feverish, Uplifting Bundle of ‘JOY’

Sonia Stein "Passerby" still 5
Music, PremieresApril 14, 2020<April 13, 2020

Premiere: London’s Sonia Stein Blurs Intimate Lines with Majestic “Passerby”

Music, Music Videos, PremieresApril 10, 2020<April 10, 2020

Artist-to-Watch: Forever Honey’s Dreamy “Twenty-Five” Is a Dazzling Quarter-Life Crisis

In A Rocket with Lissie - Beoga
Music, Reviews, This Just InApril 9, 2020<April 9, 2020

Review: Beoga & Lissie Erupt “In a Rocket” with Catchy, Feel-Good Passion

Chloe Moriondo © Kris Herrmann
Features, Interviews, MusicApril 9, 2020<April 9, 2020

Anxiety, Innocence, and Vulnerability: An Interview with Chloe Moriondo

frogi © Tyreke Monterio
Music, PremieresApril 8, 2020<April 8, 2020

Premiere: frogi’s Intimate “til I turn blue” Is a Breathtaking Bedroom Pop Love Song

Atwood Magazine Editor's Picks 32
Columns, Editor's Picks, Features, MusicApril 8, 2020<September 23, 2021

Editor’s Picks: April 8, 2020

Johnny Stimson © Bani Amir
Music, PremieresApril 8, 2020<April 7, 2020

Premiere: Johnny Stimson’s Homesick “Hard to Say Goodbye” Is a Slick, Undeniable R&B Groove

The Hour © 2020
Music, ReviewsApril 7, 2020<April 7, 2020

EP Review: UK Collective The Hour Spin a Dark, Cinematic Tapestry in ‘Father’ EP

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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    • Music You Should Know
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