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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Hannah Georgas © Vanessa Heins
Features, Interviews, MusicSeptember 28, 2020<September 28, 2020

Comfort, Space, & Sanctuary: Hannah Georgas Dives into Her Intimate Album, ‘All That Emotion’

Didirri © Gil Gilmour 9.3
Features, Music, Our Take, Reviews, Track-by-TrackSeptember 28, 2020<December 15, 2020

Track-by-Track: Didirri Blends Heartbreak & Hope in Stunning ‘Sold for Sale’ EP

Shannen James © 2020
Debut, Features, Music, Reviews, Track-by-TrackSeptember 25, 2020<September 25, 2020

Sun-Drenched, Groovy, & Lush: Melbourne’s Shannen James Strikes Hot with Debut ‘Arrows’ EP

The Islas © 2020
MusicSeptember 25, 2020<September 25, 2020

Interview: Norwich, England’s The Islas Rise & Shine with an Indie Rock Flame

Soda Blonde 2020 © Ste Murray
Music, Reviews, This Just InSeptember 24, 2020<September 24, 2020

This Just In: Soda Blonde’s Intimate New Song “Love Me World” Is an Irresistible Indulgence

Fly by Night x Shoffy © 2020 3
Music, PremieresSeptember 24, 2020<September 23, 2020

Premiere: Fly By Midnight Jolt Us Awake with a Heavy Dose of “Caffeine” ft. Shoffy

Atwood Magazine Editor's Picks 40
MusicSeptember 24, 2020<October 6, 2020

Editor’s Picks: COIN, McCall, Ayoni, Eve Owen, Fergus, & Close Talker!

Delaney Jane © 2020
Music, PremieresSeptember 24, 2020<September 24, 2020

Premiere: Toronto’s Delaney Jane Lets ‘Em Down Easy in Aching “On Paper”

Rearrange Us - Mt. Joy
Features, Interviews, MusicSeptember 24, 2020<October 6, 2020

Interview: Mt. Joy Soar in Triumphant & Stirring Second Album ‘Rearrange Us’

Side Street - Joe Kollar 8
Debut, Features, Music, Our Take, Reviews, Track-by-TrackSeptember 23, 2020<December 15, 2020

Feature: Joe Kollar’s Stirring Space Folk Soars on Debut Album ‘Side Street’

indigoworld
Debut, Music, PremieresSeptember 23, 2020<September 22, 2020

EP Premiere: indigoworld Burst into Existence with Compelling Debut EP ‘FOLD’

Debut, Music, Reviews, Track-by-TrackSeptember 22, 2020<September 22, 2020

Track-by-Track: NYC’s R O N I Captivates with Sleek & Seductive ‘Crown’ EP

Steven van Betten
Debut, Music, PremieresSeptember 22, 2020<September 22, 2020

Premiere: Stillness & Surrender in Steven van Betten’s “Flame In Your Eye” ft. Johanna Samuels & Ted Taforo

Maggie Miles 2020
Debut, Features, Music, Reviews, Track-by-TrackSeptember 21, 2020<September 21, 2020

Track-by-Track: Maggie Miles Perfects Alt-Pop Intimacy on Debut Album ‘Am I Drowning or Am I Just Learning to Swim’

Host - Cults
Features, Music, Reviews, Track-by-TrackSeptember 21, 2020<September 21, 2020

“Spooky, Goofy, & Sad”: Cults Dwell in Deep, Dazzling Depths on New Album ‘Host’

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Recent Posts

  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
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  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
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  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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