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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Opeongo © 2019
Debut, Music, PremieresOctober 22, 2019<October 22, 2019

Album Premiere: Opeongo’s Debut ‘Miasma’ Is a Rich, Anxiety-Riddled Folk Tapestry

Augustine © Rassmus Björnson
Columns, Music, Today's SongOctober 22, 2019<October 22, 2019

Today’s Song: Basking in the Kinetic Sunshine of Augustine’s Wondrous “Guts”

Animal - Alex Bayly
Music, PremieresOctober 22, 2019<October 22, 2019

Premiere: Alex Bayly Evokes Life’s Trials in Turbulent Song “Animal”

Victoria Victoria © Amy Badgett Beck
Music, PremieresOctober 22, 2019<January 13, 2020

Premiere: The Phenomenal Beauty of Victoria Victoria’s Enchantingly Vulnerable ‘When To Talk, When To Pray’ EP

Music, Music Videos, PremieresOctober 21, 2019<October 22, 2019

Premiere: Mighty Oaks Dwell in a Moment’s Bliss on “All Things Go”

Kate Kelly © Linda Parrott
Music, Music Videos, PremieresOctober 21, 2019<October 21, 2019

Premiere: Kate Kelly’s “The Book We Made” Is an Anthem for Letting Go

Moyka © 2019
Debut, Interviews, Music, PremieresOctober 18, 2019<March 20, 2024

Interview: Moyka Finds a Moment to Breathe in Debut ‘Circles’ EP

French For Rabbits © Ebony Lamb Photographer
Music, Music Videos, PremieresOctober 18, 2019<December 30, 2022

Watch: French for Rabbits Play with Cats & Dogs in Cute, Cuddly “Highest Hill” Videos

Editor's Picks 24
Editor's Picks, Features, MusicOctober 18, 2019<December 5, 2019

Editor’s Picks: October 18, 2019

Ian Randall Thornton © Lauren Stonestreet
Music, PremieresOctober 17, 2019<October 17, 2019

Premiere: Ian Randall Thornton Returns with a Spiritual Embrace in “North & South”

Oh Mother - Sive
Music, PremieresOctober 17, 2019<October 17, 2019

Premiere: Sive’s Ethereal, Earthly Lament “Oh Mother” Aches with a Heavy Heart

Gabriela Eva © Rob Watts
Music, Music Videos, PremieresOctober 17, 2019<October 17, 2019

Premiere: Basking in Gabriela Eva’s Jazzy, Soulful “HEY!”

Benjamin Roustaing
Music, PremieresOctober 17, 2019<October 17, 2019

Premiere: Stockholm’s Benjamin Roustaing Debuts Breathtakingly Delicate “When You Love Someone Else”

Leslie Odom Jr. © Jimmy Fontaine
Music, PremieresOctober 17, 2019<December 5, 2019

Premiere: Leslie Odom Jr. Indulges in Love’s Thrill on Frisky New Single “Go Crazy”

Minor Pieces
Features, Music, ReviewsOctober 16, 2019<October 16, 2019

Review: Minor Pieces Weave Intimate Avant-Folk Beauty into Stirring Debut Album ‘The Heavy Steps of Dreaming’

Posts pagination
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Recent Posts

  • Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan! January 15, 2026
  • “A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress” January 15, 2026
  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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