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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Ghost - Bodies on the Beach
Music, PremieresOctober 16, 2019<October 16, 2019

Premiere: Burning the Midnight Candle with Bodies on the Beach’s “Ghost”

Dolly Valentine © Dolly Valentine
Debut, Music, PremieresOctober 15, 2019<February 14, 2025

Dolly Valentine Emerges with Breathtaking Indie Folk Lullaby “Flowers on the Highway”

Leah Capelle © Mackenzie Breeden
Interviews, Music, ReviewsOctober 14, 2019<July 1, 2020

Leah Capelle Dives into the Aching Pop Polish of “know me better”

N.Y.C.K. © 2019
Music, PremieresOctober 14, 2019<October 16, 2019

Premiere: N.Y.C.K.’s Wild N’ Wondrous Homecoming Song “Threes”

Emily Blue © Morgan Paije
Interviews, Music, PremieresOctober 11, 2019<October 11, 2019

Premiere: Emily Blue Rewinds & Ignites in Stunning Power Ballad “17”

Left Vessel
Columns, Music, Today's SongOctober 11, 2019<October 10, 2019

Today’s Song: Left Vessel Latches on Love in “Please Don’t Stop”

Núria Graham
Music, Music Videos, PremieresOctober 10, 2019<October 10, 2019

Premiere: Núria Graham’s Vibrant “Smile on the Grass” Indulges in the Existential & Intimate

Future Thieves © Andrew Fannin
Music, PremieresOctober 10, 2019<October 10, 2019

Premiere: Future Thieves “Get Up” with the Heat in Fiery New Groove

Racoon Racoon © Yoris Photographer
Music, PremieresOctober 9, 2019<November 21, 2019

Premiere: The Blissful Revelry of Racoon Racoon’s Acoustic Love Song “Thunderbird”

Ships Have Sailed © Wood Wall
Music, PremieresOctober 8, 2019<July 24, 2023

Premiere: Ships Have Sailed Embrace Vulnerability & Thin “Skin” in Heartfelt Ballad

Hayley Reardon © Allie Krause
Music, Music Videos, PremieresOctober 8, 2019<October 8, 2019

Premiere: Hayley Reardon Injects a Raw, Stirring Depth into New Single “Forgiveness”

Eden Iris © Jes Harlen
Music, PremieresOctober 7, 2019<October 7, 2019

Premiere: Eden Iris’ Bittersweet Ode to Loneliness “Birthday Baby”

An Orchestrated Impulse
Music, PremieresOctober 7, 2019<October 7, 2019

Exploring the Natural Balance with An Orchestrated Impulse’s “Pink Waves”

Tom Speight © Tom Leishman
Debut, Features, Interviews, MusicOctober 4, 2019<September 24, 2021

More Than a Little Love: Tom Speight Dives into His Stunning Debut Album ‘Collide’

Frances Luke Accord © Luke Jackson
Music, PremieresOctober 4, 2019<October 4, 2019

The Fresh Autumn Folk of Frances Luke Accord’s “Thank You, Derrick Watson”

Posts pagination
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Recent Posts

  • Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan! January 15, 2026
  • “A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress” January 15, 2026
  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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