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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Madness - Nicotine Dolls
Debut, Music, Music Videos, PremieresOctober 3, 2019<October 3, 2019

Nicotine Dolls’ Feverish “The Madness” Is an Alt-Rock Dream

Paper Beat Scissors © Stacy Lee
Music, ReviewsOctober 3, 2019<October 3, 2019

Fragility, Nuance, & Grace: A Review of Paper Beat Scissors’ Dazzling ‘Parallel Line’

Bluebiird, Emily Osment © Adam Goldberg
Debut, Features, Interviews, MusicOctober 2, 2019<December 5, 2019

Feature: Emily Osment Soars as Bluebiird in Stirring Musical Debut

Campsie © Joshua Onabowu
Debut, Music, PremieresOctober 1, 2019<October 1, 2019

Premiere: London’s Campsie Debuts with Intimate Indie Pop Upheaval “I’m Gone”

Atwood Magazine Editor's Picks 23
Editor's Picks, Features, MusicOctober 1, 2019<October 16, 2019

Editor’s Picks: October 1, 2019

GRAE music © Lizzie O’Donnell
Features, Interviews, MusicSeptember 30, 2019<April 15, 2022

Passion, Anger, and Empowerment: Inside GRAE’s Anthemic “Woman’s World”

Brightside
Music, PremieresSeptember 30, 2019<September 30, 2019

Premiere: Pittsburgh’s Brightside Get the Blood Pumping with “Just Like Dancing”

Litany © Marieke Macklon // Love Letter
Music, Reviews, This Just InSeptember 30, 2019<May 20, 2021

This Just In: Litany’s Sweet N’ Spicy “Love Letter” Hurts Just Right

Lee Bowie © Rebecka Häggblom
Music, Music Videos, PremieresSeptember 27, 2019<September 27, 2019

Premiere: Lee Bowie Tempt & Entice with the Seductive Pop of “Tubes”

Mappe Of © Matt Barnes
Features, Interviews, Music, PremieresSeptember 27, 2019<September 27, 2019

Premiere: Mappe Of Breathes Life & Cryptic Beauty into Mystic Song “Unkno”

Boy & Bear © Daniel Boud
Features, Interviews, Music, PremieresSeptember 26, 2019<September 26, 2019

Feature: Boy & Bear on Celebrating Challenge & Reclaiming Life in New Album ‘Suck on Light’

The Singer - Cuntrie
Debut, Interviews, Music, PremieresSeptember 26, 2019<September 26, 2019

Feature: Meet Cuntrie and Her Achingly Intimate Debut Single “The Singer”

Cold War Kids © Rodrigo Villordo
Columns, Music, Today's SongSeptember 20, 2019<September 19, 2019

Today’s Song: Cold War Kids Lay Down the Magic in “Waiting for Your Love”

Music, PremieresSeptember 19, 2019<October 16, 2019

Premiere: Modern Love Child Is Restless & Unapologetically True-to-Self on “In a City”

The Cordial Sins © Tiera D. Photo
Music, Music Videos, PremieresSeptember 19, 2019<September 19, 2019

Premiere: The Cordial Sins Embrace “Cruel” Love and Death’s Sweet Romance

Posts pagination
1 … 185 186 187 188 189 … 293

Recent Posts

  • Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan! January 15, 2026
  • “A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress” January 15, 2026
  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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