• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Lumineers 2020 III interview
Features, Interviews, MusicJanuary 24, 2020<June 25, 2020

Family, Addiction, and Raw Storytelling: An Interview with The Lumineers

Noble Oak © 2020
Music, Music Videos, PremieresJanuary 23, 2020<April 26, 2023

Premiere: Breaking the Mold with Noble Oak’s Ethereal “Morning”

Gloomies © Rebecca Burns
Music, PremieresJanuary 23, 2020<March 9, 2020

Premiere: Lose Yourself in The Gloomies’ Vibey & Hazy New Song, “Sideways”

Golden - Alexz Johnson
Music, ReviewsJanuary 22, 2020<January 22, 2020

Alexz Johnson Rises and Shines in Uplifting, Heartfelt Ballad “Golden”

Taylor Grey © @jennicamaephoto / Jennica Mae Photo
Music, PremieresJanuary 22, 2020<January 27, 2020

Premiere: Pop Starlet Taylor Grey Embraces a “COMPLIC8ED” Romance with Feverish Passion

Cuntrie © Ebba G. Ågren
Debut, Interviews, Music, PremieresJanuary 22, 2020<March 8, 2021

Cuntrie Soars in Her Intimate, Spirited & Fragile Debut EP ‘Scrapbooking’

Color Study artists 2020
Features, Interviews, NewsJanuary 21, 2020<January 21, 2020

Introducing Color Study: An Indie Record Label Championing “Personal Pop” Music

Nancy © 2020
Music, PremieresJanuary 21, 2020<January 21, 2020

Premiere: UK Duo NANCY Tap into Raw, Emotional Vulnerability on “It’s Just You”

KYTES © Marc Heinemann
Music, PremieresJanuary 16, 2020<January 17, 2020

Premiere: Munich’s KYTES Deliver Bright, Buoyant Indie Pop in “Go Out”

The Aces © Alexander Bortz
Debut, Features, Interviews, MusicJanuary 16, 2020<March 4, 2020

Cool, Young, Fresh, and Fun: An Interview with The Aces

Tom West © Isabella Cuan
Music, PremieresJanuary 14, 2020<January 14, 2020

Premiere: Tom West Burns Out in Mellow & Brooding Song “Stuck on Repeat”

Hazlett © Emil Daniel
Music, PremieresJanuary 14, 2020<January 14, 2020

Premiere: Basking in the Young & Free Energy of Hazlett’s “Monsters”

Atwood Magazine Editor's Picks 26
Columns, Editor's Picks, Features, MusicJanuary 14, 2020<January 14, 2020

Editor’s Picks: January 14, 2020

Stu Larsen © Nadia Meli
Music, PremieresJanuary 9, 2020<December 1, 2020

Premiere: Stu Larsen’s Heavy Heart Aches in Lovelorn “Phone Call From My Lover”

Of the Wild © Craig Clement (Ten23 Productions)
Debut, Music, PremieresJanuary 7, 2020<January 8, 2020

Premiere: Of the Wild Explode onto the Scene with Alt-Rock Verve in Debut EP ‘Banshee & Hope’

Posts pagination
1 … 185 186 187 188 189 … 299

Recent Posts

  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services