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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Mokita
Music, ReviewsNovember 15, 2019<November 14, 2019

Mokita Tackles Depression Head-On in Haunting Song “colorblind”

Mt. Joy © Andrew Keyser
Interviews, Mistletones, MusicNovember 15, 2019<November 15, 2019

Interview: Mt. Joy Talk Tour, New Music, and Their Blue Christmas Song “Every Holiday”

Julia Jonas
Music, PremieresNovember 14, 2019<November 14, 2019

Premiere: Julia Jonas Will “Lift You High” in Soaring New Song

LITTLE DUME © Tynan Daniels
Music, PremieresNovember 14, 2019<November 13, 2019

Premiere: Little Dume Glow Like the Northern Lights in “As Always”

Neon Trees © Grace Pickering
Features, Interviews, MusicNovember 14, 2019<January 30, 2020

Interview: Neon Trees Return with Electrifying Anthem “Used to Like”

The Rare Occasions © Ari Soto
Features, Music, PremieresNovember 13, 2019<November 13, 2019

Premiere: The Rare Occasions Claw for “Control” in Explosive Song on Xinjiang & Injustice

Hanging Valleys © Max Stanley
Music, PremieresNovember 12, 2019<November 12, 2019

Premiere: Hanging Valleys Inspire Awe in Cinematic, Ambient Song “The Shining Mountain”

Nick Cianci © Ben Zucker
Features, Interviews, MusicNovember 12, 2019<November 12, 2019

Loud Indie Rock Confessionals: An Interview with New York’s Nick Cianci

Davis John Patton © Audrey Ward
Music, PremieresNovember 11, 2019<November 11, 2019

Singer/Songwriter Davis John Patton’s Stirring Homecoming “We Can Find a Place”

Leif Vollebekk © Vanessa Heins
Features, Interviews, MusicNovember 7, 2019<November 9, 2019

The Songwriter’s Songwriter: A Conversation with Leif Vollebekk

Freya Ward © Anna Gallifent
Music, PremieresNovember 7, 2019<November 7, 2019

Singer/Songwriter Freya Ward Finds Renewal in Beautiful EP ‘Written with Hindsight’

Birch © Tim Seguin
Columns, Music, Today's SongNovember 7, 2019<November 7, 2019

Today’s Song: Birch Chases the Dream in Glittering “Your Gold”

Flyte © Lucas Donaud
Features, Interviews, MusicNovember 6, 2019<December 5, 2019

Interview: Flyte Take Off with Majestic, Dazzling ‘White Roses’ EP

Anson Seabra © Kelby Reck
Music, Music Videos, PremieresNovember 6, 2019<December 5, 2019

Premiere: Anson Seabra Stuns with Intimate Heartbreak Ballad “Last Time”

Lady Clementine's Fantastic Party © Toni Williams
Music, PremieresNovember 6, 2019<November 6, 2019

Premiere: The Raw Love of “Keep Me Up” by Lady Clementine’s Fantastic Party

Posts pagination
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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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